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清徐揚仿貫休畫羅漢 軸
基本資訊
- 原始資料連結
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- 典藏尺寸本幅@#@128.5x54.3
- 質地本幅@#@紙
- 題跋資料題跋@#@裱綾@#@行楷書@#@（裱綾藏書標名。朱書。）第四嘎禮嘎尊者。閉目盤膝。置履於前。行腳事畢。有似止觀。觀空亦病。說悟即迷。居士胡跪。請質所疑。@#@@#@題跋@#@裱綾@#@行楷書@#@（裱綾藏書標名。朱書。）第三拔納拔西尊者。伽梨在身。軍持在几。本來不隔。誰分彼此。銅磬置前。擊之有聲。雨隨雲落。水逐波生。
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@秘殿珠林@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫
- 主題主要主題@#@佛道人物@#@羅漢（應真、尊者）@#@@#@次要主題@#@佛道人物@#@佛道侍者@#@一@#@@#@次要主題@#@佛道人物@#@供養人@#@一@#@@#@其他主題@#@器用@#@傢俱（屏風）@#@傢俱（几、石桌）@#@@#@其他主題@#@樹木@#@竹@#@@#@其他主題@#@器用@#@香爐．火盆@#@香爐@#@@#@其他主題@#@器用@#@宗教器用@#@經卷@#@@#@其他主題@#@器用@#@軍持；磬
- 技法人物衣紋描法(粗細線條)
- 參考資料收藏著錄@#@故宮書畫錄（卷八），第四冊，頁125@#@@#@收藏著錄@#@故宮書畫圖錄，第十三冊，頁329-330@#@@#@參考書目@#@1.李玉珉，〈清徐揚仿貫休畫羅漢〉，收入李玉珉主編，《羅漢畫》（臺北：國立故宮博物院，1990年初版），頁86。 @#@@#@內容簡介（中文）@#@徐揚，生卒年不詳，號雲亭，江蘇吳縣人，乾隆十六（西元一七五一）年，因獻畫而獲高宗賞識，召入內廷畫院為供奉。他的畫以山水為專長，又善於畫墨梅，人物畫較難得見到。 本幅畫二尊者結跏趺坐，其一眉目清淨，披袈裟，手持經卷，前一侍者持槌擊磬，另一尊者披髮長鬚，著長衫，閉目沉思，前一居士俯身跪拜。二尊者的後面石几上有水瓶、香爐、經卷等。全幅人物衣紋線條於勻稱，構圖平實，為清代畫羅漢典型之一。 @#@@#@內容簡介（英文）@#@Imitating Kuan-hsiu’s Paintings of Lohans, Hsu Yang (fl. 18th century), Ch’ing Dynasty. Hsu Yang (sobriquet; Yun-t’ing), whose birth and death dates are unknown, was a native of Wu-hsien, Kiangsu. In 1751, having presented a painting to the Ch’ien-lung emperor (r. 1736-1795) and receiving his praise, Hsu Yang was summoned to the Painting Academy of the Inner Court as a Palace Attendant. He was a specialist in landscape painting and also excelled at depicting plum blossoms in monochrome ink. His figure paintings are less frequently seen, however. This is a painting of two lohans seated cross-legged. One of them is handsome, dressed in monastic garb, and holding a sūtra scroll. In front of him is an attendant garb, and holding a sūtra scroll. In front of him is an attendant striking a ch’ing-instrument with a mallet. The other lohan wears long hair, a moustache and beard, and a robe with long sleeves. His eyes are closed in deep thought. Before him is a layman kneeling and bowing in worship. On the stone table behind the two lohans are such objects as a water bottle, incense burner, and sūtra scroll. The composition of the painting appears realistic. It is typical Ch’ing dynasty of lohans.
- 地圖
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