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明錢旭中流砥柱 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者錢旭,Qian Xu
- 色彩水墨
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@127.5x32.6
- 質地本幅@#@紙
- 題跋資料作者款識@#@錢旭@#@行書@#@中流砥柱。虎林錢旭寫。
- 印記資料鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@嘉慶鑑賞@#@@#@鑑藏寶璽@#@寶笈三編@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@宣統御覽之寶
- 主題主要主題@#@山水@#@奇石@#@石柱@#@@#@次要主題@#@山水@#@雲@#@雲海
- 技法皴法
- 參考資料收藏著錄@#@石渠寶笈三編（延春閣），第五冊，頁2396@#@@#@收藏著錄@#@故宮書畫錄（卷八），第四冊，頁115@#@@#@收藏著錄@#@故宮書畫圖錄，第九冊，頁293-294@#@@#@內容簡介（中文）@#@ 錢旭，生卒不詳，畫史載其生平資料甚簡，字東白，浙江杭州人，工畫山水、人物。 此幅為冷金箋本，水墨畫嶙峋石柱，聳出於洪濤間，雲氣環繞著山腰，與波光相縹緲。皴石用中鋒，起筆成釘頭狀向左右橫趯，並用濃墨點苔，雲及水紋則用淡墨勾勒，構景雖簡，然頗富筆墨趣味。 @#@@#@內容簡介（中文）@#@錢旭，生卒年不詳，畫史載其生平資料甚簡，字東白，浙江杭州人，工畫山水、人物。 此幅為冷金箋本，水墨畫嶙峋石柱，聳出於洪濤間，雲氣環繞著山腰，與波光相縹緲。皴石用中鋒，起筆成釘頭狀向左右橫趯，並用濃墨點苔，雲及水紋則用淡墨勾勒，構景雖簡，然頗富筆墨趣味。 (20121016)@#@@#@內容簡介（英文）@#@ The birth and death dates of Qian Xu are unknown, and very little is recorded of him in painting histories. Style name Dongbo, he was a native of Hangzhou, Zhejiang, and was good at painting landscapes and figures. This work in ink on gold-flecked paper depicts a rocky pillar rising from the waves. Clouds and mists swirl around its midsection, coalescing and glistening light with the waves. The texture strokes of the rocks are done with a centered brush, the beginnings of the strokes forming “nail heads” skipping laterally left and right. The artist used dark ink for the moss dots, while the design of clouds and water is outlined in light ink. Despite the simple composition, this work displays a keen interest in varying ink shades and brush techniques. (20121016)@#@@#@內容簡介（英文）@#@Ch’ien Hsu’s birth and death dates are unkknown, and very little is known about his life. His style name was Tung-pai, and he was a native of Hangchow, Chekiang. He was good at landscapes and figures. This painting, in ink on gold-speckled paper, consists in a pillar of stone rising up out of rapids. Mist, swirling around the waist of the pillar, coalesce with the glistening light of the waves. The texture strokes in the rocks are done with a centered tip brush. The beginnings of these strokes form a “nail head”, skipping laterally to the left or right. The artist uses dark ink for the moss dots, whereas the designs in the clouds and water are outlined in light ink. Although the composition is simple, this painting richly displays the charm of varying shades of ink and techniques of brushwork.
- 地圖
引用資訊
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