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清關槐健節恆春 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者關槐
- 色彩設色
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@162.5x81.3
- 質地本幅@#@紙
- 題跋資料作者款識@#@關槐@#@本幅@#@行楷書@#@臣關槐恭繪。
- 印記資料鑑藏寶璽@#@宣統御覽之寶
- 主題主要主題@#@樹木@#@松@#@@#@主要主題@#@樹木@#@柏@#@@#@次要主題@#@花草@#@梅（白．紅．蠟梅）@#@白梅、紅梅@#@@#@次要主題@#@樹木@#@竹@#@@#@其他主題@#@山水@#@春景
- 技法沒骨@#@@#@雙鉤
- 參考資料收藏著錄@#@故宮書畫錄（卷八），第四冊，頁115@#@@#@收藏著錄@#@故宮書畫圖錄，第十二冊，頁325-326@#@@#@內容簡介（中文）@#@ 關槐，仁和人，字晉卿，乾隆庚子傳臚詩章翰墨，脫穎不羣，山水得董誥指授，駸二入宋元之室，筆思蒼潤恬靜，有出藍之譽。 此畫松柏梅竹四種，皆為凌霜傲雪，四時常青之植物。筆墨秀潤，唯梅竹作細筆雙鈎，與松柏略欠和諧之感。 @#@@#@內容簡介（英文）@#@ Kuan Huai (18th century) was a native of Jen-ho in Chekiang province. His style name was Chin-ch’ing. Contemporary records describe his literary and artistic achievements as standing out from the common crowd. He studied landscape painting with Tung Kao and became thoroughly familiar with the masters of the Sung and Yuan dynasties. His brushwork was mature and rich in appearance, quiet and restful in character. He was praised as having surpassed his teacher. This painting shows pine, cypress, plum and bamboo, all of which proudly endure winter’s frost and snow. The technique is beautifully moist; the plum and bamboo are drawn with a fine outline, combining harmoniously with the more sketchy style in the trees.
- 地圖
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