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清錢維城夏山欲雨 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者錢維城
- 色彩水墨
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@144.2x59.6
- 質地本幅@#@紙
- 題跋資料作者款識@#@錢維城@#@本幅@#@夏山欲雨。臣錢維城恭畫。@#@楷書
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶
- 主題主要主題@#@山水@#@夏景@#@@#@次要主題@#@山水@#@溪澗、湍泉@#@@#@其他主題@#@山水@#@瀑布@#@@#@其他主題@#@樹木@#@@#@其他主題@#@樹木@#@松@#@@#@其他主題@#@建築@#@寺廟
- 技法寫意@#@@#@皴法@#@披麻皴@#@@#@苔點
- 參考資料收藏著錄@#@故宮書畫錄（卷八），第四冊，頁112@#@@#@收藏著錄@#@故宮書畫圖錄，第十二冊，頁175-176@#@@#@內容簡介（中文）@#@ 錢維城（西元一七二○至一七七二年），字宗磐，號幼庵，一號稼軒，又號茶山，江蘇武進人。乾隆十年狀元，官至刑部侍郎。從陳書學畫寫意折枝花卉，遂成名手。供奉內廷，為畫苑領袖，著有茶山集。 本幅山水丘壑幽深，氣韻沈厚，不以造化為師，全法南宗正統畫派，其丘壑、樹石之筆法、墨法皆有公式化的趨向。重山疊嶺之中，煙霧瀰漫，畫面水份凝重，氣氛營造之下，頗有山雨欲來風滿樓之意。 @#@@#@內容簡介（英文）@#@Ch’ien Wei-ch’eng, style name Tsung-p’an, sobriquets Yu-an, Chia-hsuan and Ch’a-shan, was a native of Wuchin, Kiangsu. During 1746, he became the top successful candidate in the imperial examination, and served in the government bureaucracy, eventually holding the position of vice minister in the Ministry of Justice. He studied the free-style method (hsieh-i) of depicting flowers after Ch’en Shu, and achieved fame as a painter. He later became a leader in the Imperial Painting Academy. This quiet landscape depicts layers of mountains. The tone of the painting is profound, but does not follow the patterns of nature. Instead, all of the techniques and images are based on the Southern Sung orthodox school of painting. The brushwork used to depict the layered mountains, trees, and rocks, as well as the use of ink, are all stylized representations, rather than reflections of nature. The spaces between the piled mountains overflow with dense mist. The painting surface is heavy with moisture, embodying the humid stillness at the moment when the winds are coming, just before a rainfall.
- 地圖
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