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清董邦達倣王蒙萬疊芙蓉 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者董邦達
- 色彩水墨
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@133x63.3
- 質地本幅@#@紙
- 題跋資料作者款識@#@董邦達@#@本幅@#@萬疊芙蓉。（隸書）。臣董邦達恭仿王蒙筆意。（楷體）。@#@楷書
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@嘉慶鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@寶笈三編@#@@#@鑑藏寶璽@#@宣統御覽之寶@#@@#@鑑藏寶璽@#@宣統鑑賞@#@@#@鑑藏寶璽@#@無逸齋精鑑璽
- 主題主要主題@#@山水@#@@#@其他主題@#@建築@#@籬笆、圍牆@#@@#@其他主題@#@建築@#@橋@#@@#@其他主題@#@建築@#@亭@#@@#@其他主題@#@建築@#@房舍@#@@#@其他主題@#@建築@#@水榭@#@@#@其他主題@#@山水@#@瀑布@#@@#@其他主題@#@樹木@#@@#@其他主題@#@山水@#@江河、湖海@#@江河@#@@#@其他主題@#@樹木@#@松
- 技法寫意@#@@#@皴法@#@披麻皴@#@@#@苔點
- 參考資料收藏著錄@#@石渠寶笈三編（御書房），第七冊，頁3180@#@@#@收藏著錄@#@故宮書畫錄（卷八），第四冊，頁107@#@@#@收藏著錄@#@故宮書畫圖錄，第十二冊，頁23-24@#@@#@內容簡介（中文）@#@ 董邦達（西元一六九九至一七六九年），浙江富陽人，字孚存，號東山。雍正癸丑（西元一七三三年）進士。乾隆時入內廷襄編石渠寶笈諸書，後仕至禮部尚書。 層疊溪山，構景幽邃。筆多用中鋒，以枯墨層層醒出，頗不能刪繁就簡。然結構謹嚴，蒼老中彌有清韻，固是董畫中佳者。 @#@@#@內容簡介（英文）@#@Tung Pang-ta (1699-1769) was a native of Fu-yang in Chekiang province, his style-name was Fu-ts’un and his sobriquet tung-shan. He took his chin-shih metropolitan doctorate exam in 1733 and was subsequently in the imperial employ, compiling such works as the catalogue of the imperial art collection. Later he rose to be Minister of the Board of Rites. This scene, with its massed mountains and spreading waters has a quality of distant stiliness. It has been painted mostly with a brush that keeps its point hidden within the stroke. – a technique also particularly important in Chinese calligraphy. The artsit here gradually accumulates strokes of very dry ink until the form suddenly coalesces, a method which allows no casual short cuts. The composition is impressive with an archaic severity, but nevertheless filled by a resonant clarity. These qualities make it one of the best of the many works by the artist in this museum.
- 地圖
引用資訊
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