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清鄒一桂畫秋色 軸
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- 典藏尺寸本幅@#@37x36.8
- 質地本幅@#@紙
- 題跋資料作者款識@#@鄒一桂@#@本幅@#@百卉經霜半欲斑。怪他秋至轉童顏。仙家別有回春術。翻借金風鍊大還。江楓飄落雁飛翔。紺葉青枝盡改妝。莫道素秋無絢采。助他萸菊鬥丹黃。臣鄒一桂恭畫。並題。@#@行書@#@@#@題跋@#@清高宗@#@引首@#@行書@#@色傲傲霜。@#@@#@題跋@#@清高宗@#@本幅@#@丁亥秋月御題@#@行書@#@（乾隆丁亥御題。詩文二則不錄。）
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@石渠定鑑@#@@#@鑑藏寶璽@#@寶笈重編@#@@#@鑑藏寶璽@#@養心殿鑑藏寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶
- 主題主要主題@#@花草@#@雁來紅@#@@#@其他主題@#@山水@#@秋景@#@@#@其他主題@#@山水@#@奇石
- 技法沒骨@#@@#@皴法@#@@#@皴法@#@折帶皴@#@@#@苔點
- 參考資料收藏著錄@#@石渠寶笈續編（養心殿），第三冊，頁1206@#@@#@收藏著錄@#@故宮書畫錄（卷八），第四冊，頁103@#@@#@收藏著錄@#@故宮書畫圖錄，第十一冊，頁261-262@#@@#@內容簡介（中文）@#@ 鄒一桂（西元一六八六－一七七二年），江蘇無錫人。字原褒，號小山，又號讓卿，晚號二知老人。雍正五年進士，歷官至禮部侍郎，加尚書銜。擅長花卉畫外，又精通畫理，著有〔小山畫譜〕。 此幅繪雁來紅，別名老來紅，是一種草本觀葉植物，秋季葉片由綠轉為紅黃兩色，乍看易將變色葉視作花朵。鄒一桂花卉學惲壽平沒骨疊色漬染，設色秀潤淡雅，畫意盡在畫家題詩之中。 @#@@#@內容簡介（英文）@#@Tsou I-kuei (style name Yuan-pao; sobriquets Hsiao-shan, Jang-ch’ing and, late in life, Erh-chih lao-jen) was a native of Wu-hsi, Kiangsu province. He attained the chin-shih degree at the metropolitan civil service examinations in 1727. He became an official and eventually served in the Ministry of Rites and the Department of State Affairs. In addition to excelling in flower painting, he was also well-versed in painting theory, and he wrote a manual of painting, Hsiao-shan hua-p’u. Tsou I-kuei has painted a Chinese amaranth, a kind of plant in which the leaves change from green to red and yellow in the autumn. At a glance, the leaves, now red and yellow, look deceptively like flower petals. Tsou I-kuei studied the “boneless style” (mo-ku) of painting flowers without outlines and the method of adding layer after layer of light, delicately colored washes from the famous artist Yun Shou-p’ing. He further enhanced the painting by inscribing a poem.
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