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清戴天瑞秋山落照 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者戴天瑞
- 色彩設色
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@133.8x65.4
- 質地本幅@#@絹
- 題跋資料作者款識@#@戴天瑞@#@本幅@#@臣戴天瑞指頭恭畫@#@楷書@#@@#@題跋@#@清聖祖@#@本幅@#@草書@#@登登山路何時盡。決決谿流到處聞。風動葉聲山犬吠。幾家松火隔秋雲。錄唐。
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@養心殿鑑藏寶@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶
- 主題主要主題@#@山水@#@秋景@#@@#@次要主題@#@建築@#@亭@#@@#@其他主題@#@山水@#@江河、湖海@#@江河@#@@#@其他主題@#@山水@#@溪澗、湍泉@#@湍泉@#@@#@其他主題@#@山水@#@瀑布@#@@#@其他主題@#@樹木@#@@#@其他主題@#@樹木@#@楓樹．槭樹@#@@#@其他主題@#@樹木@#@楊柳@#@柳@#@@#@其他主題@#@人物@#@高士（士人、隱士）@#@士人@#@@#@其他主題@#@建築@#@房舍
- 技法寫意@#@@#@指畫@#@@#@皴法@#@@#@皴法@#@披麻皴@#@@#@人物衣紋描法(減筆)@#@@#@苔點
- 參考資料收藏著錄@#@石渠寶笈初編（養心殿），上冊，頁676@#@@#@收藏著錄@#@故宮書畫錄（卷八），第四冊，頁101@#@@#@收藏著錄@#@故宮書畫圖錄，第十一冊，頁143-144@#@@#@內容簡介（中文）@#@ 戴天瑞，江蘇長洲人，字西塘，號賁園。生卒年不詳，但以畫幅上有康熙題詩與自署款，據此推測，聖祖時，戴氏已是內廷供奉畫家。善畫山水，兼工寫意，水草鱗介，頗有神韻。 峰巒重疊，林木相錯，山陬水湄，亭宇相望。全作以指代筆，樹石皆用指甲指頭沾墨和水，細鉤重染，意韻醇厚，毫無一般指畫之野氣。 @#@@#@內容簡介（英文）@#@Tai T’ien-jui (style name His-t’ang; sobriquet P’en-yuan) was a native of Ch’ang-chou, Kiangsu. Even though his birth and death dates are unknown, it can be inferred from the inscribed poems of the K’ang-hsi emperor (r. 1662-1722) and his inscriptions on his paintings that he had already been appointed as a painter in the inner court at that time. He excelled at depicting landscapes and was also good at rendering water plants and fish with the “sketching from life” method. They all possess an abundance of spirit harmony. Depicted in this painting are repeated layers of peaks, scattered forests, mountain nooks, lake shores, and the pavilions looking out upon them. The entire painting was done using the finger instead of a brush. All the trees and rocks were rendered with the finger tip and fingernail dipped in ink and water to produce fine outlines with repeated layers of wash. They have an air of harmony and gentleness which is nothing like the amateurish quality of ordinary finger paintings.
- 地圖
引用資訊
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