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清王翬蛟門曉發圖 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者王翬
- 色彩設色,青綠
- 裝裱形式軸
- 創作時間清聖祖康熙二十八年（1689）
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@208.3x98
- 質地本幅@#@絹
- 題跋資料作者款識@#@王翬@#@本幅@#@蛟門曉發。歲次己巳（西元一六八九年）中秋。畫於釜峰精舍。石谷王翬。@#@行楷書
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@石渠定鑑@#@@#@鑑藏寶璽@#@寶笈重編@#@@#@鑑藏寶璽@#@養心殿鑑藏寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶
- 主題主要主題@#@山水@#@江河、湖海@#@海@#@@#@其他主題@#@建築@#@房舍@#@@#@其他主題@#@船@#@帆船@#@@#@其他主題@#@人物@#@行旅@#@@#@其他主題@#@山水@#@@#@其他主題@#@人物@#@漁夫、船夫@#@船夫@#@@#@其他主題@#@樹木
- 技法寫意@#@@#@皴法@#@@#@皴法@#@披麻皴@#@@#@皴法@#@斧劈皴@#@@#@人物衣紋描法(減筆)@#@@#@苔點
- 參考資料收藏著錄@#@石渠寶笈續編（養心殿），第二冊，頁1155@#@@#@收藏著錄@#@故宮書畫錄（卷八），第四冊，頁93@#@@#@收藏著錄@#@故宮書畫圖錄，第十冊，頁127-128@#@@#@內容簡介（中文）@#@ 王翬（西元一六三二－一七一七年），字石谷，號臞橋，耕烟散人，烏目山人，江蘇常熟人。繪事得王鑑王石敏親授，勤觀摩古人名蹟，為清初正統派四王之一。 本幅描繪浙江海縣東海中之蛟門山，此山環鎖海口，吐納潮汐，出海口即大洋，為天設之險。王翬以南宗筆墨寫北宗青綠邱壑，清麗奇巧。畫中寫波濤洶湧，細膩生動。汪洋中，一帆乘風破浪而行，前景浪濤之動態與遠方煙雲籠罩之寧靜，成一強烈之對比。畫成於己巳（一六八九）。 @#@@#@內容簡介（英文）@#@ Wang Hui (style name Shih-ku, sobriquet Ch’ ű-chiao, Keng-yen San-jen, Wu-mu-Shan-jen,) was from Ch’ang-shu, kiangsu. He was a protegé of Wang Chien and Wang Shih-min, under whose tutorage he carefully studied and emulated the works of the old masters. Wang Hui is known as one of the Four Wangs of the early Ch’ing dynasty. The scene depicted is that of Mt. Chiao-men in the Eastern Sea of Chen-hai Prefecture, Chekiang Province. This ring of mountains, encircling and confining the seaport there, inhales and spews out the tides as they rise and fall, and thus is a natural hazard to travellers setting forth on the seas. Wang Hui has utilized brush and ink of the southern painting school to render a very clear and attractive scene of blue-green hills and mountains of the northern style. The fiercely turbulent waves, portrayed in a lacy and delicate manner, appear very life-like and alive. On the entire body of water, only one sail, billowing with the force of the wind, speeds along. The movement of the waves, and the tranquility of the mountains partly obscured by thick, heavy clouds on the distant shores, from a striking contrast. The work was completed in 1689.
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引用資訊
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