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清赫奕晴嵐晚翠 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者赫奕
- 色彩設色
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@99.2x51.2
- 質地本幅@#@絹
- 題跋資料作者款識@#@赫奕@#@本幅@#@臣赫奕恭畫@#@楷書@#@@#@題跋@#@清聖祖@#@本幅@#@草書@#@秋草黃花覆古阡。隔林何處起人烟。山僧獨在山中老。唯有寒松見少年。唐句。
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@養心殿鑑藏寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶
- 主題主要主題@#@山水@#@@#@次要主題@#@樹木@#@松@#@@#@次要主題@#@樹木@#@楊柳@#@@#@次要主題@#@建築@#@橋@#@@#@次要主題@#@建築@#@房舍@#@@#@其他主題@#@山水@#@溪澗、湍泉@#@溪澗@#@@#@其他主題@#@樹木
- 技法寫意@#@@#@皴法@#@@#@皴法@#@米點皴
- 參考資料收藏著錄@#@石渠寶笈初編（養心殿），上冊，頁672@#@@#@收藏著錄@#@故宮書畫錄（卷八），第四冊，頁92@#@@#@收藏著錄@#@故宮書畫圖錄，第十冊，頁53-54@#@@#@內容簡介（中文）@#@ 作者赫奕，一作赫頤，生死時年不詳，康熙間滿洲人。別號澹士。善畫山水，為王原祁弟子，但作品於師法外，尚能參考前人，不落時習。如本幅畫山石，主要採取「米家雲山」畫法，不用多皴，而以濃淡墨點重叠破染，是故積墨蒼鬱，筆蹤混化，特別能夠表現出那種空氣濕潤、雲氣氳氤中，峰巒渾厚，遠近景物分明的情致。@#@@#@內容簡介（英文）@#@In this painting Ho I has carefully followed the manner of the Sung dynasty artist Mi Fu in describing the mountains and rocks. He has used texture-strokes only sparingly, but has employed various tonalities of ink and repeated layers of dots to create a sense of surface texture, thus achieving an ample accumulation of ink. His brushstrokes are complex and represent especially well a moist, airy atmosphere. Ridges and peaks are massive and grand, and a sense of distant and near views is clearly transmitted. The painter Ho I was a Manchurian by birth; although the exact dates of his birth and death remain uncertain, he is known to have been active during the K’ang-hsi reign period (1662-1722). A disciple of Wang Yuan-ch’i, he excelled in painting landscapes. In addition to the works of his teacher, he also studied the works of former masters, yet he never adopted the mannerisms of his day.
- 地圖
引用資訊
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