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明周臣松泉詩思 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者周臣
- 色彩淺設色
- 裝裱形式軸
- 創作時間明世宗嘉靖十三年（1534）
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@114.6x53.1
- 質地本幅@#@紙
- 題跋資料作者款識@#@周臣@#@本幅@#@嘉靖甲午（西元一五三四年）中秋既望。東邨周臣倣靜菴筆意。@#@草書
- 印記資料鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶
- 主題主要主題@#@山水@#@@#@主要主題@#@樹木@#@松@#@@#@次要主題@#@人物@#@高士（士人、隱士）@#@士人@#@@#@次要主題@#@人物@#@侍從（侍女、童僕）@#@童僕@#@@#@其他主題@#@器用@#@飲食器@#@@#@其他主題@#@花草@#@藤蘿@#@@#@其他主題@#@樹木@#@竹@#@@#@其他主題@#@山水@#@瀑布@#@@#@其他主題@#@樹木
- 技法皴法@#@@#@人物衣紋描法(粗細線條)@#@@#@苔點
- 參考資料收藏著錄@#@故宮書畫錄（卷八），第四冊，頁78@#@@#@收藏著錄@#@故宮書畫圖錄，第六冊，頁305-306@#@@#@內容簡介（中文）@#@ 周臣（約西元一四五○至一五三五年），江蘇吳縣人，字舜卿，號東村，善畫山水人物。山水師陳暹，間傳宋人畫法，得力於李唐、劉松年、馬遠、夏圭。用筆純熟，風骨峭勁雅健，傳授筆法與唐寅、仇英。 崖壁間，雙松盤紆鬱結，上有藤蘿攀附，松後巖壁，不著筆墨，幾為雲霧所掩，遠山澹然點畫，倍覺空曠疏朗。士人對坐，觀瀑清談，人語泉聲，恍如身歷此境。此幅用筆成熟醇厚，為其晚年粗放之筆，雖題為仿戴進筆意，亦近於南宋馬遠畫風。 @#@@#@內容簡介（英文）@#@Chou Ch’en was a native of Wu-hsien, Kiangsu. His style name was Shun-ch’ing and his sobriquet was Tung-ts’un. He excelled at both landscape and figure painting, and studied landscape from Ch’en Hsien (1405-1496). He based his style on the Sung Dynasty masters: Li T’ang, Liu Sung-nien, Ma Yuan, and Hsia Kuei. His brushwork was strong, refined, sharp and vigorous, and he transmitted his style to the Wu School masters T’ang Yin and Ch’iu Ying. A pair of pine trees draped with wisteria stand between the crags. The distant mountains are painted in light ink, conveying a feeling of broad space. Two scholars sit facing each other, admiring the waterfall as they converse. The sounds of human voices and of water seem to be almost audible in this composition. In this painting, Chou Ch’en’s brushwork is broad and unrestrained, as is characteristic of his mature style. Although the inscription states that this painting follows the manner of Tai Chin, an earlier Ming painter, it is in fact more similar to the style of the Southern master, Ma Yuan.
- 地圖
引用資訊
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