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明沈周畫松岩聽泉圖 軸
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- 典藏尺寸本幅@#@140x31.2
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- 題跋資料作者款識@#@沈周@#@本幅@#@占得此溪好。風光無別家。攜筐來洗藥。跂石數流花。有月分清影。容漚割淺沙。我期聽嗽玉。竹外小橋斜。沈周。@#@行書@#@@#@題跋@#@周鼎@#@本幅@#@桐村@#@草書@#@迸出松根白。流來石澗清。盤回皆篆法。冷淡不塵纓。坐聽夢初醒。吟觀詩易成。幽人住泉上。得此一溪名。桐村。@#@@#@題跋@#@清高宗@#@本幅@#@丁未（西元一七八七年）孟冬上澣用沈周韻。御題。@#@行書@#@獨坐厜㕒上。知他何處家。蔭松謖秋籟。聽瀑落泉花。豎勢分雄磵。平紋漾淺沙。興䦨歸草舍。應歩曲橋斜。丁未（西元一七八七年）孟冬上澣用沈周韻。御題。
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@石渠定鑑@#@@#@鑑藏寶璽@#@寶笈重編@#@@#@鑑藏寶璽@#@御書房鑑藏寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶@#@@#@收傳印記@#@陸氏伯范@#@@#@收傳印記@#@清白吏子孫
- 主題主要主題@#@山水@#@@#@主要主題@#@樹木@#@松@#@@#@次要主題@#@建築@#@橋@#@@#@其他主題@#@山水@#@瀑布@#@@#@其他主題@#@樹木
- 技法寫意@#@@#@皴法@#@披麻皴@#@@#@人物衣紋描法(減筆)
- 參考資料收藏著錄@#@石渠寶笈續編（御書房），第四冊，頁1989@#@@#@收藏著錄@#@故宮書畫錄（卷八），第四冊，頁77@#@@#@收藏著錄@#@故宮書畫圖錄，第六冊，頁249-250@#@@#@參考書目@#@何炎泉、陳階晉、陳韻如，〈明沈周畫松岩聽泉圖 軸〉，收入《明四大家特展-沈周》（臺北：國立故宮博物院，2014.01），頁42-45、309-310。@#@@#@內容簡介（中文）@#@ 沈周（西元一四二七至一五○九年）字啟南，號石田江蘇長洲人。詩書畫俱佳，為明四大家之一。雙松下老者坐聽流泉，對山高聳，飛瀑從高而下，展轉成澗。畫未署年，而筆意甚工整。松下山嘴，用短披麻，與五十五歲所畫杏林書館山石皴法極似，對山多用側筆方轉，似受倪瓚影響。沈周學倪，所見之畫時皆稍晚，疑此畫成於庚子（一四八０）之際，同年作品有紐約翁萬戈藏臨戴進東山圖軸，亦甚工。畫松出枝法兩畫正爾相同。成化庚子，沈周五十五歲。@#@@#@內容簡介（英文）@#@Shen Chou, style name Ch’i-nan, sobriquet Shih-t’ien, was a native of Ch’ang-chou, Kiangsu. He was an excellent painter, and is considered one of the four masters of the Ming dynasty. An old man sits beneath a pair of pine trees and listens to a waterfall. The water cascades from a great height, twisting and turning in its course. The brushwork is delicate and skillfully done. The mountain spur beneath the pines is textured with short hemp fiber strokes similar to those seen in The Almond Grove Studio, painted in 1480. In addition, the mountain peak is rendered in angular strokes derived from the style of the Yuan dynasty painter Ni Tsan. Shen Chou’s other paintings in the style of Ni Tsan were for the most part completed at a slightly later date. This work was probably painted in 1480. The painting After Tai Chin’s ‘Hsieh An at East Mountain’ in the collection of Mr. Wan-go Weng of New York was painted in 1480 and is similar in style and quality. The treatment of the tree trunks in these two paintings is particularly close. In 1480, Shen Chou was fifty-three years old.
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