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元王蒙松山書屋 軸

基本資訊

  • 作者
    王蒙
  • 色彩
    淺設色
  • 裝裱形式
  • 創作時間
    元順帝至正九年(1349)
  • 數量
    一軸
  • 集叢號-類型
    單件
  • 典藏尺寸
    本幅@#@113x51.7
  • 質地
    本幅@#@絹
  • 題跋資料
    作者款識@#@王蒙@#@本幅@#@松山書屋。至正九年(西元一三四九年)八月香光居士王蒙寫。@#@篆書
  • 印記資料
    鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@御書房鑑藏寶@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶@#@@#@收傳印記@#@王芷@#@@#@收傳印記@#@東吳張氏朝清家藏@#@@#@收傳印記@#@東崖@#@@#@收傳印記@#@何印(半印)@#@@#@收傳印記@#@(一印不識)
  • 主題
    主要主題@#@山水@#@@#@次要主題@#@人物@#@高士(士人、隱士)@#@1人@#@@#@次要主題@#@建築@#@齋館@#@@#@次要主題@#@建築@#@房舍@#@@#@次要主題@#@樹木@#@松@#@@#@其他主題@#@山水@#@江河、湖海@#@江河@#@@#@其他主題@#@山水@#@瀑布@#@@#@其他主題@#@樹木@#@@#@其他主題@#@建築@#@籬笆、圍牆@#@籬笆@#@@#@其他主題@#@器用@#@傢俱(屏風)@#@桌、椅@#@@#@其他主題@#@器用@#@文玩(琴棋書畫)@#@書@#@@#@其他主題@#@器用@#@香爐.火盆@#@香爐
  • 技法
    皴法@#@披麻皴@#@@#@人物衣紋描法(減筆)@#@@#@苔點
  • 參考資料
    收藏著錄@#@石渠寶笈初編(御書房),下冊,頁1139 @#@@#@收藏著錄@#@故宮書畫錄(卷八),第四冊,頁68@#@@#@收藏著錄@#@故宮書畫圖錄,第四冊,頁345-346@#@@#@內容簡介(中文)@#@王蒙(西元一三○八—一三八五年),吳興(今浙江湖州)人。字叔明,號黃鶴山樵,自稱香光居士。趙孟頫外孫,強記力學,畫從趙孟頫風韻中來,又追法唐宋諸名家,尤以董源、巨然為宗,為元四大家之一。 山巒重疊,以乾筆牛毛皴皴擦,松林雜樹,蓊蓊鬱鬱,幾密不透風。高士一人,展卷於茅屋中。左上角以小篆題曰「松山書屋」,通幅畫作與題識方式,均展現王蒙古拙圓渾的筆韻。此幀完成於至正九年,是王蒙四十二歲之作。@#@@#@內容簡介(英文)@#@Wang Meng (style name Shu-ming and Huang-he shan-ch'iao) called himself Hsiang-Kuang chu-shih and was a native of Wu-hsing (modern Hu-chou, Chekiang). He was the maternal grandson of Chao Meng-fu (1254-1322). Wang Meng studied long and diligently, his painting style deriving from that of Chao Meng-fu. Wang also sought the methods of various T'ang (618-907) and Sung (960-1279) dynasty painters, especially the school of Tung Yuan (d. 962) and Chu-jan (f1.ca.960-980). Wang Meng became one of the Four Masters of the Yuan. Depicted in this painting are multiple ridges of piled mountains using the method of fine, dry "ox–hair" texture strokes. The luxuriant pine forests with assorted trees appear so dense that not even the wind can penetrate them. A scholar in a thatched hut can be seen opening a scroll. In the upper left corner is an inscription in small seal script which reads, "Studio in Pine-covered Mountains." The style of the painting and method of the inscription both exhibit the harmony of Wang Meng's awkwardly archaic and rounded brushwork. This painting was done in1349, when he was 41-years-old.
  • 地圖

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