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五代後蜀黃筌竹梅寒雀圖 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者黃筌
- 色彩設色
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@43.8x62.9
- 質地本幅@#@絹
- 印記資料鑑藏寶璽@#@宣統御覽之寶
- 主題主要主題@#@山水@#@冬景（雪景）@#@@#@主要主題@#@翎毛@#@八哥（鴝鵒）@#@@#@次要主題@#@翎毛@#@麻雀@#@@#@次要主題@#@翎毛@#@桑鳲@#@@#@次要主題@#@翎毛@#@黃尾鴝@#@@#@次要主題@#@翎毛@#@朱連雀@#@@#@次要主題@#@翎毛@#@山雀@#@@#@次要主題@#@翎毛@#@相思鳥@#@@#@次要主題@#@樹木@#@竹@#@@#@次要主題@#@花草@#@梅（白．紅．蠟梅）@#@白梅
- 技法雙鉤
- 參考資料收藏著錄@#@故宮書畫錄（卷八），第四冊，頁54@#@@#@收藏著錄@#@故宮書畫圖錄，第一冊，頁121-122@#@@#@參考書目@#@1.譚怡令，〈五代後蜀黃筌竹梅寒雀〉，收入譚怡令編，《呂紀花鳥畫特展》（臺北：國立故宮博物院，1995年初版），頁100-101。 @#@@#@內容簡介（中文）@#@雪寒中，朱連雀、桑鳲、八哥、麻雀棲於梅竹枝蔓中，此項題材、布景，可見於「邊文進三友百禽」。從畫幅橫大於縱，與一般立軸縱大於橫，有所不同，或許原本為一大畫幅，因殘破割裂而成者。畫中綠竹竿，每節以重筆勾勒，連節處虛空，這種畫法，亦見於邊氏作風。八哥羽毛，其墨黑如碳，一般是以燈炱加膠所成，枝幹留有殘雪，用破筆沾白粉戳出，其法亦見於呂紀諸畫中。就風格論，本畫出於明人，為邊文進、呂紀一系畫家所作。@#@@#@內容簡介（英文）@#@In a wintry snow scene, a waxwing, grosbeaks, one mynah, and sparrows perch on the bamboo and plum branches. This subject matter is comparable to that in The Three Friends and One Hundred Birds by Pien Wen-chin. The artist has used a horizontal format for this painting which differs markedly from the usual hanging scroll format. Perhaps the painting in its original state was a large composition which has been cut down. The nodes of the bamboo are outlined with heavy brushwork, and the spaces between the nodes are unpainted, a trait characteristic of Pien Wen-chin. The artist has used charcoal black ink, a substance made of lamp black and glue, for the feathers of the mynah. He also used a worn brush dipped in white powder to dab small white specks onto the branches to signify snow. This is a technique which Lu Chi employed in most of his paintings. According to stylistic analysis, this painting was executed by a Ming dynasty (1368-1644) artist who imitated the style of Pien Wen-chin and Lu Chi.
- 地圖
引用資訊
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