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明文徵明聽泉圖 軸

基本資訊

  • 作者
    文徵明
  • 色彩
    設色
  • 裝裱形式
  • 數量
    一軸
  • 集叢號-類型
    單件
  • 典藏尺寸
    本幅@#@64.2x30
  • 質地
    本幅@#@紙
  • 題跋資料
    作者款識@#@文徵明@#@本幅@#@空山日落雨初收。烟樹沉沉水亂流。獨有幽人心不競。坐聽寒玉竟遲留。徵明畫并詩。@#@行楷書@#@@#@題跋@#@王守@#@本幅@#@王守@#@楷書@#@亂山新雨足。碧澗泛桃花。獨坐清溪靜。逍遙弄落霞。王守。@#@@#@題跋@#@王寵@#@本幅@#@王寵@#@楷書@#@獨坐靈泉上。泠泠與耳謀。山中忘日月。春去落花流。王寵。
  • 印記資料
    鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@嘉慶鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@寶笈三編@#@@#@收傳印記@#@宣統御覽之寶
  • 主題
    主要主題@#@山水@#@@#@次要主題@#@山水@#@溪澗、湍泉@#@@#@次要主題@#@人物@#@高士(士人、隱士)@#@高士1人@#@@#@其他主題@#@建築@#@橋@#@@#@其他主題@#@樹木
  • 技法
    寫意@#@@#@皴法@#@@#@人物衣紋描法(減筆)@#@@#@苔點
  • 參考資料
    收藏著錄@#@石渠寶笈三編(延春閣),第四冊,頁1926@#@@#@收藏著錄@#@故宮書畫錄(卷五),第三冊,頁387-388@#@@#@收藏著錄@#@故宮書畫圖錄,第七冊,頁153-154@#@@#@參考書目@#@1.江兆申,〈文徵明聽泉圖 軸〉,收入國立故宮博物院編,《吳派畫九十年展》(臺北:國立故宮博物院,1975年初版,1976年再版,1981年三版),頁293。 @#@@#@參考書目@#@吳誦芬、童文娥、譚怡令,〈明文徵明聽泉圖 軸〉,收入《明四大家特展-文徵明》(臺北:國立故宮博物院,2014.03),頁20-21、314。@#@@#@內容簡介(中文)@#@  文徵明(西元一四七○-一五五九年),初名壁,後以字行,更字徵仲,號停雲生、衡山居士,長洲(江蘇蘇州)人,詩文書畫並佳,畫師沈周,為明四家之一。五十四歲以歲貢至京,授翰林待詔,與修武宗實錄,後厭倦京師生活,返居故里,專意藝事。   疎林間,一道清泉曲折流過,士人坐林下傾耳聽泉,樹林隱約於淡煙之中。本幅筆墨清逸靈秀,有筆簡意遠的趣味。 @#@@#@內容簡介(英文)@#@Listening to the Waterfall Wen Cheng-ming (1470-1559) Ming Dynasty Wen Cheng-ming was a native of Ch’ang-chou in Kiangsu province. Although his given name was Pi, he was best known by his style name Cheng-ming; his other style name is Cheng-chung, and sobriquet Heng-shan chu-shih. Wen excelled in the literati arts of poetry, prose, calligraphy and painting. He studied painting with Shen Chou (1427-1509) and later became one of the Four Masters of the Ming. When he was 54, he was recommended to the Emperor and appointed to the Hanlin Academy as a painter-in-attendance, and consequently also participated in editing the Wu-tsung shih-li (Records of Emperor Wu-tsung). When he tired of official life, Wen returned to his homeland, where he spent the rest of his life creating artworks. A clear stream winds through a sparse grove of trees. Beneath them, a gentleman sits with ear inclined, listening raptly to the sounds of the water. Amidst a light mist, the trees are indistinct. This painting exhibits refined and elegant brushwork, which though terse and abbreviated, has been effectively manipulated to produce an evokative and atmospheric scene.
  • 地圖

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