收藏著錄@#@故宮書畫錄(卷六),第四冊,頁140@#@@#@收藏著錄@#@故宮書畫圖錄,第二十四冊,頁272-273@#@@#@內容簡介(中文)@#@馬元馭,字伏羲,號棲霞,又號天虞山人。江蘇常熟人,生在聖祖康熙八(公元一六六九)年,死在康熙六十一(公元一七二二)年。擅長花鳥畫,由於早年親得惲壽平教授,後又和蔣廷錫相互討論六法,所以又以沒骨花卉最見長。王翬曾稱譽他的作品,認為是「神韻飛動,不泥陳迹,高出陳道復、陸治之上」。
但從真實作品看,他的畫以明淨柔麗見長,至於用筆,既沒有陳道復的老辣,也沒有陸治的剛健,更缺乏老師惲壽平的瀟洒韻致。
@#@@#@內容簡介(英文)@#@Plum Blossoms and Camellia
Ma Yuan-yu (1669-1722)
Ch’ing Dynasty
Ma Yuan-yu (tzu Fu-hsi, hao Ch’i-hsia and T’ien-yu shan-jen) was a native of Ch’ang-shu, Kiangsu. A well-known painter of birds and flowers, he was a pupil of Yun Shou-p’ing early in his life; later he and Chiang T’ing-hsi would discuss painting principles, and his flowers showed this influence. Wang Hui commented that he recognized Ma Yuan-yu as one who did not copy others, but who was a better artist than Ch’en Tao-fu and Lu Chih.
Upon examination of actual works, however, it appears that his paintings are refined and decorative. His brush-strokes do not show the experience of Ch’en Tao-fu, nor the robust quality of Lu Chih; he also lacks the dashing rhythm of his teacher, Yun Shou-p’ing.