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清馬元馭花卉 冊 牡丹
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者馬元馭
- 色彩設色
- 裝裱形式冊(摺裝)
- 創作時間清聖祖康熙四十二年（1703）
- 數量一幅
- 集叢號-件03
- 集叢號-開03
- 集叢號-幅03
- 集叢號-類型單件
- 典藏尺寸本幅@#@24.3x23.9
- 質地本幅 @#@絹
- 印記資料作者印記@#@元馭@#@@#@作者印記@#@扶風
- 主題主要主題@#@花草@#@牡丹
- 技法工筆
- 參考資料收藏著錄@#@故宮書畫錄（卷六），第四冊，頁140@#@@#@收藏著錄@#@故宮書畫圖錄，第二十四冊，頁272-273 @#@@#@內容簡介（中文）@#@馬元馭（西元一六六九－一七二二年），江蘇常熟人。字伏羲，號棲霞，又號天虞山人。眉子。畫傳家法，而氣韻超逸突過乃父。賦性落拓，縱酒逞筆，乃益豪放。寫生得惲南田親得，又與蔣廷錫討論六法，故沒骨畫益工，神韻飛動，不泥陳跡。書亦雋雅。 此幅繪牡丹一朵，清雅可愛。作者自題仿宋人法所繪，時年三十五歲。 @#@@#@內容簡介（英文）@#@Flowers Ma Yuan-yu (1669-1722) Ch’ing Dynasty Ma Yuan-yu (style name Fu-hsi; sobriquets Ch’i-hsia and T’ien-yu shan-jen) was the son of the Ma Mei and a native of Ch’ang-shu, Kiangsu. Ma Yuan-yu inherited the family tradition of painting, but surpassed his father in informing his pictures with resonance. Being naturally unrestrained, Ma Yuan-yu indulged in drinking and painting to give his style a grand manner. In painting from life, he received the personal instruction of Yun Shou-p’ing and discussed the six principles of painting with Chiang T’ing-hsi. He consequently became a master of the “boneless” wash method of painting. He painted with energy and freedom and was not fettered by tradition. Furthermore, his calligraphy was very elegant. This is a painting of a peony blossom that is both elegant and cute. In Ma Yuan-yu’s inscription, he stated that he was imitating Sung dynasty (960-1279) methods of painting. The painting was done when the artist was 34-years old.
- 地圖
引用資訊
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