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明鄭重十八應真像 冊 應真像（九）
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者鄭重
- 色彩設色
- 裝裱形式冊(摺裝‧方幅式)
- 數量一幅
- 集叢號-件09
- 集叢號-開09
- 集叢號-幅09
- 集叢號-類型單件
- 典藏尺寸本幅@#@28.5x22.8
- 質地本幅@#@紙
- 主題主要主題@#@佛道人物@#@羅漢（應真、尊者）@#@降龍@#@@#@次要主題@#@走獸@#@龍@#@@#@其他主題@#@山水@#@雲
- 技法寫意@#@@#@人物衣紋描法(粗細線條)
- 參考資料收藏著錄@#@故宮書畫錄（卷六），第四冊，頁86@#@@#@收藏著錄@#@故宮書畫圖錄，第二十三冊，頁210-213@#@@#@內容簡介（中文）@#@鄭重（活動於西元十七世紀上半葉），字千里，安徽歙縣人，流寓金陵（今南京）。好樓居，日事香茗，善寫佛像，必參沐而後舉筆。丁雲鵬推為趙伯駒後身，亦畫山水小景，摹仿宋體制，均甚精妙。 此幅是「十八應真像」之第九開。應真即阿羅漢，乃智慧與真理相應之人。畫中應真雙手合掌，橫眉豎眼，狀甚凶惡，豈意欲降龍者乎畫衣紋線條流暢肯定，通幅以墨漬染濃雲密霧，形容出大自然神祕恐怖，不可意測的景象。@#@@#@內容簡介（英文）@#@Cheng Chung (style name; Ch'ien-li)was native of She-hsien,Anhwei, but later moved to Chin-ling (modern Nanking). He excelled at painting Buddhist figures and had to first ritually bathe before even picking up a brush to paint. Ting Yun-p'eng (1547 or 1548-after 1628) praised him as an incarnation of Chao Po-chu (fl. 1127-1162). He also excelled at small, exquisite landscape in imitation of Sung(960-1279) and Yuan(1279-1368) dynasty styles. This painting is the ninth leaf from the album "Portraits of the Eighteen Lohans (Ying-chen)." An ying-chen is an a-lo-han (Sanskrit; arhat), corresponding to one who is wise and righteous.Even though the figure in this painting clasps his hands together, wears a scornful frown, and appears wicked, he is actually the Subduing-Dragons Lohan. The drapery lines are fluently and assuredly handled.The spread of ink for the thick clouds and mist amply describe the mysterious, terrify-ing, and unpredictable appearances of Nature.
- 地圖
引用資訊
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