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明人畫幅集冊 冊 明朱承綵梨花白燕
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者朱承綵
- 色彩設色
- 裝裱形式冊(摺裝‧方幅式)
- 創作時間明神宗萬曆四十三年（1615）
- 數量一幅
- 集叢號-件13
- 集叢號-開07
- 集叢號-幅13
- 集叢號-類型單件
- 典藏尺寸本幅@#@34.7x60.6
- 質地本幅@#@紙
- 題跋資料作者款識@#@朱承綵@#@本幅@#@江南嘉燕盡烏衣。獨爾翩翩戴雪歸。不厭同群趨社至。肯將奇羽傍人飛。愛風斜處霓裳舞。帶月來時玉剪輝。莫向雕梁頻舌弄。上方言路有危機。乙卯（西元一六一五年）春日畫并題。似若木先生博笑。朱承綵。@#@楷書
- 主題主要主題@#@花草@#@梨花@#@@#@主要主題@#@翎毛@#@燕@#@白燕
- 技法寫意
- 參考資料收藏著錄@#@石渠寶笈續編（養心殿），第二冊，頁1124-1126@#@@#@收藏著錄@#@故宮書畫錄（卷六），第四冊，頁271@#@@#@收藏著錄@#@故宮書畫圖錄，第三十冊，頁102-115@#@@#@內容簡介（中文）@#@胡起昆（西元十七世紀），上元（今南京）人。父宗仁，工詩畫，山水師倪瓚，晚出入王蒙、黃公望二家，起昆書畫頗有乃父之風。本幅溪山茅堂，左上方瀑布順山勢而下，隱沒於松林之中，右方小橋橫架，流水汨汨然於碎石之中。通幅山巖坡石均以牛毛皴出之。高士獨坐茅堂，衣紋簡靜而肯定，為全幅題目點出重心所在。本幅為「明人畫幅集冊」中之一幅。@#@@#@內容簡介（英文）@#@Sitting Alone in a Thatched Hut Hu Ch’i-k’un (17th century) Ming Dynasty Hu Ch’i-k’un was a native of Shang-yuan (modern Nanking) and the son of Hu Tsung-jen. He excelled at poetry and painting, with his landscape paintings initially patterned after that of Ni Tsan (1301-1374) and later after Wang Meng (1308-1385) and Huang Kung-wang (1269-1354). Hu Ch’i-k’un’s style of painting and calligraphy was quite similar to that of his father. In this painting is a thatched hut amidst streams and mountains. In the upper left is a waterfall cascading from the mountains, only to hidden in the pine forest. To the right is a small bridge with water rapidly flowing among the broken rocks. The mountains and rocks have all been rendered with fine “ox-hair” texture strokes. A lofty scholar is seen seated in a thatched cottage. The figure has been rendered simply yet assuredly, and is the focal point of the painting.
- 地圖
引用資訊
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