收藏著錄@#@石渠寶笈三編(延春閣),第五冊,頁2499@#@@#@收藏著錄@#@故宮書畫錄(卷六),第四冊,頁185@#@@#@收藏著錄@#@故宮書畫圖錄,第二十九冊,頁192-197@#@@#@參考書目@#@1.陳階晉,〈名畫集真 冊 五代胡瓌回獵圖〉,收入林柏亭主編,《大觀-北宋書畫特展》(臺北:國立故宮博物院,2006年初版一刷),頁265-269。
2.林柏亭、張華芝,〈五代後唐胡瓌回獵圖〉,收入林柏亭、張華芝編,《畫馬名品特展圖錄》(臺北:國立故宮博物院,1990年元月初版),頁83-84。
3.彭慧萍,《台北故宮藏《出獵圖》、《回獵圖》之成畫年代暨意涵析探》,國立師範大學美術研究所碩士論文,2000年。@#@@#@內容簡介(中文)@#@本幅設色雅淡,畫黃土一片,雜以稀疏蓑草的塞外平遠風光。圖繪騎者三人,各抱一隻嘴部尖長、胸寬腰細的獵犬。所畫之馬,耳似經剪裂,鼻孔寬大,馬腿上烙有印記,鞍具極其精美,描繪細緻生動。畫中未見描寫任何擄獲的獵物,畫名或與院藏另幅畫風及尺寸相似的「出獵圖」相互倒置。 作者傳為胡瓌,契丹人,約活動於九、十世紀之間,素以精於描繪塞外風光及人馬而聞名,因以名之。(20061206)@#@@#@內容簡介(英文)@#@This painting, with its light and elegant coloring, describes a scene of loess-covered landscape, where a few scattered grasses and plants in a level-distance composition appear in an area corresponding to the north of China proper. The work depicts three figures on horseback, each accompanied by or holding a breed of hunting dog with a slender snout and body. The ears of the horses appear to have been clipped and their nostrils widened, and the hindquarters of the horses also have been branded. The saddles and riding equipment are extremely refined and rendered with exceptional detail and lifelikeness. With no prey shown in this painting, perhaps its title should be reversed with the other work of similar style and dimensions in the Museum collection entitled “Going Out on the Hunt”. This work has been traditionally attributed to Hu K'uei, a member of the Khitan people active approximately from the 9th to 10th centuries. Known for his skill at rendering scenery on the steppes and horses with figures, he became famous for this subject matter.(20061206)