收藏著錄@#@石渠寶笈三編(延春閣),第五冊,頁2490@#@@#@收藏著錄@#@故宮書畫錄(卷六),第四冊,頁180@#@@#@收藏著錄@#@故宮書畫圖錄,第二十九冊,頁152-159@#@@#@參考書目@#@1.林柏亭、張華芝,〈宋陳居中平原射鹿圖〉,收入林柏亭、張華芝編,《畫馬名品特展圖錄》(臺北:國立故宮博物院,1990年元月初版),頁88。
@#@@#@內容簡介(中文)@#@陳居中,嘉秦間(1201─1204)畫院待詔。工畫人物,亦擅蕃族人馬。宋元載籍關於陳氏之資料極少,至明則時見其作品流傳之記載,而以蕃馬題材居多。元柯九思推許陳氏之作,不亞於宣和蕃馬名家黃宗道。
蕃騎行獵草原,人馬野鹿追逐奔馳。獵者挽弓待發,野鹿聞弦驚驟,此一緊張之情狀,形成畫中扣人心弦之情節,益愈生動感人。@#@@#@內容簡介(英文)@#@Ch'en Chu-chung was an Attendant of the Painting Academy in the Chia-tai era (1201-1204) who specialized in portraying figures and Mongolian horses. K'o Chiu-ssu, a Yuan painter, praised Ch'en's works as being as fine as those of Huang Ch'ungtao, a well known horse painter in the Hsuan-ho Painting Academy. Especially during the Ming period (1368-1644), Ch'en Chu-chung was praised for his specialty, depicting Nomadic tribesmen and horses.
This picture depicts the climax of a hunting scene. In the right of the picture, an archer, turning his body on a galloping horse, is preparing to shoot a deer. The deer, frightened by the noise of the hunt, is jumping in a panic-stricken manner. The dynasty tension between the galloping horse, stooping man and jumping deer gives the picture an immediacy.