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清周亮工集名家山水 冊 清朱翰之疏林古寺
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者朱翰之,七處,Zhu Hanzhi
- 色彩設色
- 裝裱形式冊(摺裝‧方幅式)
- 數量一幅
- 集叢號-件09
- 集叢號-開09
- 集叢號-幅09
- 集叢號-類型單件
- 典藏尺寸本幅@#@24.9x32.3@#@@#@對幅@#@24.9x32.3
- 質地本幅@#@紙
- 題跋資料題跋@#@曹爾堪@#@邊幅@#@顧庵@#@行書@#@逼真元人。顧庵。@#@@#@題跋@#@吳山濤@#@對幅@#@山濤@#@行書@#@善學大癡。唯我臣虎。此作在黃鄒之間。山濤。@#@@#@題跋@#@梅磊@#@對幅@#@梅磊@#@草書@#@趙大年作畫平遠。絕似右丞。此派傳之雲林。雖工緻不敵。而著色蒼古勝矣。此幅可謂兼能。梅磊。
- 印記資料作者印記@#@睿□
- 主題主要主題@#@山水@#@秋景@#@@#@其他主題@#@山水@#@江河、湖海@#@@#@其他主題@#@樹木@#@@#@其他主題@#@建築@#@寺廟
- 技法寫意
- 參考資料收藏著錄@#@石渠寶笈三編（御書房），第七冊，頁3229-3236@#@@#@收藏著錄@#@故宮書畫錄（卷六），第四冊，頁273-281@#@@#@收藏著錄@#@故宮書畫圖錄，第三十冊，頁272-285@#@@#@參考書目@#@1.邱士華，〈清七處山水、疏林遠岫〉，收入何傳馨主編，《山水合璧：黃公望與富春山居圖特展》（臺北：國立故宮博物院，2011年五月初版一刷），頁346-347。@#@@#@內容簡介（中文）@#@七處，俗姓朱，字翰之，金陵人，生卒年不詳，入清後出家為僧。畫風空靈雅秀，是金陵畫派的先驅。 前景畫疏樹數株，若干似傾身向前，望向對岸的紅牆古寺；古寺邊陪襯數株林木，其後尖翹山峰數座兀立。全圖皆染以清淡墨彩，呈現出飄渺虛幻之感。畫幅左方吳岱觀（明末清初人）題跋稱此作介於黃公望及善仿黃公望的鄒之麟（明末清初人）之間。全幅疏簡的筆墨，表現當時人對黃公望風格的理解。 (清周亮工集名家山水冊 第九開 20110609)@#@@#@內容簡介（英文）@#@Qichu (secular surname Zhu, style name Hanzhi) was a native of Jinling (Nanjing). His birth and death dates are unknown, but he became a monk in the early Qing period. The light spirit and elegant beauty of his painting style make him a forerunning of the Nanjing School. The foreground of this work depicts a few scattered trees with some leaning towards the ancient red-walled temple on the opposite bank. Contrasting with the ancient temple are several trees, behind which are some pointed peaks standing tall and straight. The entire work was done in light and elegant tones of ink and colors, revealing an effect of ethereal illusion. Left of the painting is an inscription by Wu Daiguan (fl. late Ming and early Qing), who wrote that this work is a cross between that of Huang Gongwang and Zhou Zhilin (also of the late Ming and early Qing), who excelled at imitating Huang’s style. The sparse and simple brushwork throughout this work expresses an understanding of Huang Gongwang’s style among artists of the time. (20110609)
- 地圖
引用資訊
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