收藏著錄@#@石渠寶笈初編(御書房),下冊,頁856@#@@#@收藏著錄@#@故宮書畫錄(卷六),第四冊,頁269@#@@#@收藏著錄@#@故宮書畫圖錄,第三十冊,頁92-95
@#@@#@參考書目@#@1.〈明張宏盤螭春霽〉,收入國立故宮博物院編輯委員會編,《春景山水畫特展圖錄》(臺北:國立故宮博物院,1987年一月初版),頁56-57。
2.〈明元尚統支硎春色〉,收入國立故宮博物院編輯委員會編,《春景山水畫特展圖錄》(臺北:國立故宮博物院,1987年一月初版),頁56。
@#@@#@內容簡介(中文)@#@「蘇台」是春秋吳王闔廬在蘇州的遊歷地,後來成為蘇州的別稱。本冊十幅,分別描繪蘇州城郊名勝,包括盤螭山、石林、天池、靈巖寺、石湖、虎山、胥江、支硎山等,畫家均為伙動於十七世紀的蘇州畫家,有張宏、陳祼、吳令、盛茂燁、袁尚統、葛旭六家。寫真兼寫實,承傳吳派筆墨設色清雅的作風。作畫時間不一,依年款,在崇禎二年至十二年間(一六二九-一六三九)。@#@@#@內容簡介(英文)@#@The Su Terrace was established by Ho Lu, King Wu of the Spring and Autumn Period, and later was known as Soochow. This album of ten leaves describes scenic sites there, including P'an-ch'ih (Coiled Dragon) Hill, Stone Forest (Shih-lin), Stone Pond (T'ien-ch'ih), Ling-yen Temple, Stone Lake (Shih-hu), Tiger Hill (Hu-shan), Hsu River, and Mt. Chih-hsing. These Soochow artists were active in the 17th century, including Chang Hung, Ch'en Kuan, Wu Ling, Sheng Mao-yeh, Yuan Shang-t'ung, and Ko Hsu. Whether realistic or sketchy, they follow the elegant colors and brushwork of the Wu School. Inscriptions on the leaves date the album from 1629 to 1639.