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集古名繪 冊 宋劉松年柳橋虛榭

基本資訊

  • 作者
    劉松年
  • 色彩
    設色
  • 裝裱形式
    冊(摺裝‧團扇式)
  • 數量
    一幅
  • 集叢號-件
    12
  • 集叢號-開
    12
  • 集叢號-幅
    12
  • 集叢號-類型
    單件
  • 典藏尺寸
    本幅@#@24.7x26@#@@#@對幅@#@24.7x26
  • 質地
    本幅@#@絹@#@@#@對幅@#@紙
  • 題跋資料
    題籤@#@劉松年柳橋虛榭@#@@#@題跋@#@清仁宗@#@對幅@#@楷書@#@和風初拓柳絲柔。掩映長橋古陌頭。萬縷籠煙翠禽囀。千條蘸水綠絛浮。酣春畫檻韶光富。映日晴階午蔭稠。虛榭臨汀得佳致。遠峰眉黛滴芳洲。
  • 主題
    主要主題@#@山水@#@@#@其他主題@#@山水@#@江河、湖海@#@湖@#@@#@其他主題@#@樹木@#@@#@主要主題@#@樹木@#@楊柳@#@@#@其他主題@#@建築@#@臺閣@#@@#@次要主題@#@建築@#@橋@#@亭橋@#@@#@其他主題@#@建築@#@籬笆、圍牆
  • 技法
    工筆@#@@#@寫意@#@@#@皴法@#@披麻皴
  • 參考資料
    收藏著錄@#@故宮書畫錄(卷六),第四冊,頁217@#@@#@收藏著錄@#@石渠寶笈三編(圓明園清暉閣),第八冊,頁3650@#@@#@收藏著錄@#@故宮書畫圖錄,第二十九冊,頁266-275@#@@#@參考書目@#@1.王耀庭,〈宋劉松年柳橋虛榭〉,收入王耀庭編,《青綠山水畫特展圖錄》(臺北:國立故宮博物院,1995年七月初版一刷),頁82。 @#@@#@內容簡介(中文)@#@劉松年(約西元一一九○年-一二三○年前後),浙江錢塘人。居清波門,俗呼劉清波,又稱暗門。劉為南宋孝宗淳熙年間畫院學生,紹熙年待詔。工畫人物山水。師法張敦禮,神氣精妙,名過於師。本幅柳蔭夾峙,掩映著橋上的涼亭,園子?,靜悄悄。這些近景主題,柳橋屋樹,結合緊密,更顯示枝葉濃綠,正是盛夏時節。提上斜坡、遠山峰頂,均以石青石綠敷染,樹葉亦是。青綠畫風,南宋人喜以薄青綠罩染,本幅無款印,作者一依舊籤題,然風格似不如劉松年精細。應較晚出。@#@@#@內容簡介(英文)@#@Liu Sung-nien, a native of Hangchou, Chekiang, lived at Ch'ing-po-men, and so acquired the names Liu Ch'ing-po and An-men Liu. He was a student in the Imperial Painting Academy during the reign of Emperor Hsiao-tsung (r. 1162-1189) and later served as a Painter-in-Attendance during the Shao-hsi period (1190-1195). He was skilled in landscape and figure painting, having studied the painting methods of Chang Tung-li. Liu’s paintings possess a pure and exquisite spirit, and his fame surpassed that of his master. Towering willows shade the cool pavilion on the bridge which leads to a peaceful, quiet courtyard. The tightly structured composition draws attention to the rich green foliage which indicates that it is the height of summer. The sloped embankments, the distant mountain peaks, and the leaves of trees have been limned with malachite and azurite. In the Southern Sung, there was a taste for landscapes which where lightly colored with washes of blue and green. There are no signatures nor seals on this painting, but there is an old label attributing it to Liu Sung-nien. However, the style is inferior, so this must be a later work.
  • 地圖

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