收藏著錄@#@石渠寶笈續編(乾清宮),第一冊,頁492@#@@#@收藏著錄@#@故宮書畫錄(卷六),第四冊,頁215@#@@#@收藏著錄@#@故宮書畫圖錄,第二十九冊,頁354-365@#@@#@參考書目@#@童文娥,〈煙雲集繪第三冊 冊 宋蘇漢臣雜技戲孩〉,收入童文娥主編《畫琳瑯—貨郎圖》(臺北:國立故宮博物院,2021.04),頁66-69、141。@#@@#@參考書目@#@1.劉芳如,〈宋蘇漢臣雜技戲孩〉,收入劉芳如、葛婉章編,《嬰戲圖》(臺北:國立故宮博物院,1990年四月初版),頁82。
2.劉芳如,〈著色鮮潤 體度如生 — 蘇漢臣嬰戲圖試析〉,《故宮文物月刊》,第85期(1990年4月),頁78-95。
@#@@#@內容簡介(中文)@#@街頭賣藝郎披掛琳琅滿目的道具,施展他巧妙的技藝,鳴鑼擊鼓,並和著節拍,引來了兒童駐足圍觀。本幅為「煙雲集繪」第三冊中的一幅,無款印,屬蘇漢臣一路之畫風。
蘇漢臣(約西元十二世紀),河南開封人。曾任宣和畫院待詔,北宋亡於金後,南宋紹興年間又進畫院復職,師劉宗古,工畫道釋、人物臻妙,尤善嬰孩。@#@@#@內容簡介(英文)@#@Su Han-ch'en was a native of K'ai-feng, Honan. He was employed as a painter-in-Attendance at the Painting Academy during the Hsuas-ho reign of the Northern Sung. After the Northern Sung fell to the Chin, he fled south and was reemployed in his old position at the Southern Sung court during the Shao-hsing reign (1131-1162). Su Han-ch'en studied with Liu Tsung-ku. He excelled as a figure painter, especially of religious subjects and children.
On the street, a showman with a pack full of dangling props prepares to perform his act. Then, he beats a gong and drum, moving to the rhythm, and attracts an audience of children. This album leaf is unsigned but is related to the style of Su Han-ch'en.