收藏著錄@#@石渠寶笈三編(鳳麟洲),第八冊,頁4002-4005@#@@#@收藏著錄@#@故宮書畫錄(卷六),第四冊,頁209-210@#@@#@收藏著錄@#@故宮書畫圖錄,第二十八冊,頁226-233@#@@#@參考書目@#@何炎泉,〈宋元名繪 冊 元盛懋松梅仕女圖〉,收入劉芳如主編《她-女性形象與才藝》(臺北:國立故宮博物院,2020.10),頁74-75、255。@#@@#@內容簡介(中文)@#@盛懋(約活動於十四世紀上半葉),字子昭,浙江杭州人。住嘉興魏塘鎮,與,吳鎮為鄰。善畫山水、人物、花鳥。其父盛洪,亦名著藝壇。
老松、古梅之旁,尚以纖細筆調鉤畫竹子,成為「歲寒三友」。新月高掛天空,仕女一人獨自徘徊樹下,於此歲末寒冷之時節,不禁有凌寒孤寂之聯想。畫梅之造型頗類馬遠之趣。而筆墨淡雅文秀之韻味,似受錢選之影響。
本幅為「宋元名繪」畫冊中之一幅。@#@@#@內容簡介(英文)@#@A solitary woman lingers for a few moments beneath an aged plum tree, above whose branches hangs a new crescent moon. Beside the plum stands an old pine, its heavy trunk feathered with finely drawn stalks of bamboo. The plum, pine, and bamboo are often referred to together as the "three friends of winter," and indeed this painting is redolent of the lonesome melancholia brought on by the chilling cold of the year's end.