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藝苑藏真（上） 冊 宋趙伯驌風檐展卷
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者趙伯驌,Zhao Bosu
- 色彩設色
- 裝裱形式冊(摺裝‧橢圓幅式)
- 數量一幅
- 集叢號-件08
- 集叢號-開08
- 集叢號-幅08
- 集叢號-類型單件
- 典藏尺寸本幅@#@24.9x26.7@#@@#@對幅@#@24.9x26.7@#@@#@全幅@#@38.5x80
- 質地本幅@#@絹@#@@#@對幅@#@紙
- 題跋資料題籤@#@趙伯驌風檐展卷@#@@#@題跋@#@清高宗@#@對幅@#@行書@#@常言開卷胥有益。其益公私亦自殊。不識風簷沈思者。心於為己為人乎。
- 印記資料鑑藏寶璽@#@五福五代堂寶@#@@#@鑑藏寶璽@#@太上皇帝之寶@#@@#@鑑藏寶璽@#@八徵耄念之寶
- 主題主要主題@#@建築@#@齋館@#@@#@次要主題@#@人物@#@高士（士人、隱士）@#@@#@次要主題@#@人物@#@侍從（侍女、童僕）@#@@#@次要主題@#@樹木@#@松@#@@#@其他主題@#@山水@#@溪澗、湍泉@#@溪澗@#@@#@其他主題@#@人物@#@仕女@#@@#@其他主題@#@樹木@#@@#@其他主題@#@樹木@#@竹@#@@#@其他主題@#@花草@#@藤蘿@#@@#@其他主題@#@建築@#@橋@#@@#@其他主題@#@建築@#@池水@#@@#@其他主題@#@建築@#@欄杆@#@@#@其他主題@#@器用@#@飲食器@#@@#@其他主題@#@器用@#@傢俱（屏風）@#@屏風。榻@#@@#@其他主題@#@器用@#@文玩（琴棋書畫）@#@書
- 技法工筆@#@@#@界畫@#@@#@皴法@#@@#@皴法@#@斧劈皴@#@@#@人物衣紋描法(勻稱線條)
- 參考資料收藏著錄@#@石渠寶笈續編（重華宮），第三冊，頁1681@#@@#@收藏著錄@#@故宮書畫錄（卷六），第四冊，頁203@#@@#@收藏著錄@#@李玉珉，〈藝苑藏真（上） 冊 宋趙伯驌風檐展卷〉，收入《故宮書畫圖錄(卅一)》（臺北：國立故宮博物院，2012.12），頁48-53。@#@@#@參考書目@#@何傳馨，〈藝苑藏真（上） 冊 宋趙伯驌風檐展卷〉，收入《文藝紹興-南宋藝術與文化‧書畫卷》（臺北：國立故宮博物院，2010.10），頁290-291、386-387。@#@@#@參考書目@#@劉芳如，〈藝苑藏真（上） 冊 宋趙伯驌風檐展卷〉，收入《國寶的形成-書畫菁華特展》（臺北：國立故宮博物院，2017.10），頁142-145、312。@#@@#@參考書目@#@1.國立故宮博物院編輯委員會，〈趙伯驌風簷展卷〉，收入國立故宮博物院編輯委員會編，《界畫特展圖錄》（臺北：國立故宮博物院，1986年初版），頁56-57。 2.林莉娜，〈風檐展卷〉，收入何傳馨主編，《文藝紹興：南宋藝術與文化‧書畫卷》（臺北：國立故宮博物院，2010年十月初版一刷），頁386-387。@#@@#@內容簡介（中文）@#@敞空方亭內文士右持羽扇，左倚憑几，神態悠閑。仕女憑欄而立，侍僮手執茶盤、托、碗，一人手提茶瓶行來。畫中家具造型挺秀簡潔，亭內畫屏前設臥榻，漆桌上置書卷、瓷瓶、香爐。圖中室內設計極精簡，其中部分建築構造，兼具坐椅功能。 傍山臨水庭院湖石點綴，長松修竹環抱，為最佳的納涼避暑地。此圖營造出文人理想燕居之室。題簽訂為趙伯驌（1124─1182），善山水人物，界畫尤精。(20101015)@#@@#@內容簡介（中文）@#@趙伯驌（西元一一二四—一一八二年）南宋畫家，宋太祖七世孫，善畫山水人物，尤精於花鳥、界畫。 圖畫園林屋室，蒼松翠竹，湖石點綴其間，敞軒內一文士坐几榻上，意態悠閑，旁間仕女二人憑軒而立，庭前曲檻，二僮相互交談，白衣侍僮手執茶盤，上置黑漆茶托、茗甌以及茶瓶，朝向屋內行來。畫中為宋人生活形式，點茶、掛畫、插花、焚香宋代生活四藝，於此呈現無遺。@#@@#@內容簡介（中文）@#@趙伯驌（西元1124─1182年），字希遠。善山水人物，界畫尤精。園中敞軒山巒環抱，庭院點景豐富，青松、小徑、曲檻、水池，配以林阜竹石，景物清幽。士人右手持羽扇坐於小榻上。後窗仕女二人，另有兩童執茗甌茶具行來。亭內塌上別設有憑几、小座屏風（枕屏），後有大畫屏。榻為如意足，座面為藤編織物。榻前擺設條桌，條桌兩腿足間有雙棖，上置書卷、膽瓶。敞軒一面壁上則懸置兩畫。畫中家具為典型宋代樣式，有學者懷疑此圖近似明代仇英之畫風，然尚無定論。@#@@#@內容簡介（英文）@#@Chao Po-su (style name Hsi-yuan) excelled at painting landscape, figures, and especially ruled-line subjects. In the middle of this garden scene is a pavilion surrounded by hills. The elements of a quiet and peaceful courtyard abound, including a pine tree, small path, curved railings, pond, and accompanying trees, bamboo, and rocks. Under the pine stands an open pavilion, in which a scholar sits on a small daybed. At the rear window are two servant girls as two other servants bring tea utensils. Sets on the mat in the pavilion are a learning table and a small standing screen (also known as a “bed screen”), and behind is a large painted screen. The platform has scepter-shaped legs and a woven mat. In front of the platform is a high, narrow table with corner legs and double stretchers between the legs. On this table are books, scrolls, and a bottle, while two paintings can be viewed suspended on the wall. Some scholars believe that the style of this painting resembles that of Ch'iu Ying (ca. 1494-1552), but this must await further research . The furniture in this painting, however, is typical of the Sung dynasty.@#@@#@內容簡介（英文）@#@Chao Po-su was a Southern Sung painter and the seventh-generation descendant of Emperor T'ai-tsu. He excelled at landscapes and figures, especially birds-and-flowers and ruled-line subjects. In this work is a building in a garden setting with ornamental rocks, craggy pines, and verdant bamboo. A scholar sits in the open building on a daybed in an elegant and leisurely manner. In the hall to the side stand two ladies. Two attendants are also engaged in conversation on a bridge in front of the garden. The one wearing white holds a tea dish with a black-lacquered tea saucer, tea bowl, and teapot as he heads for the building. Nothing is missing here from the four scholarly arts of leisure in the Sung-tea, painting, flowers, and incense.@#@@#@內容簡介（英文）@#@ Inside a spacious rectangular pavilion is a scholar gazing in leisurely refinement as he holds a feather fan in his right hand with his left arm resting on a stand. Ladies stand by the railing as a young attendant carries a tea tray, saucer, and cup, while another holds a tea jar. The furniture depicted in the painting is simple yet elegant, and a daybed is set up in front of the painting screen. On the lacquered table are books and scrolls, a bottle, and an incense burner. The design of the interior is quite abbreviated, with some of the architectural forms also serving as seating. By the side of a hill and facing the water is a courtyard dotted with garden rocks surrounded by tall pines and slender bamboo, making for an ideal place to cool off in summer. This painting recreates the ideal architectural setting of a refined scholar. The label ascribes this work to Zhao Bosu, who was gifted at landscape and figure painting and especially ruled-line subjects.(20101015)
- 地圖
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