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明欽揖摹古 冊 墨梅
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者欽揖
- 色彩水墨
- 裝裱形式冊(摺裝‧方幅式)
- 數量一幅
- 集叢號-件12
- 集叢號-開12
- 集叢號-幅12
- 集叢號-類型單件
- 典藏尺寸本幅@#@20.6x26.9
- 質地本幅@#@紙
- 題跋資料作者款識@#@欽揖@#@本幅@#@梅本潔白。今反以墨為之。然前輩多有是法。亦重意不重像之道也。揖。@#@行楷書
- 主題主要主題@#@花草@#@梅（白．紅．蠟梅）
- 技法寫意
- 參考資料收藏著錄@#@石渠寶笈初編（養心殿），上冊，頁497-498@#@@#@收藏著錄@#@故宮書畫錄（卷六），第四冊，頁99@#@@#@收藏著錄@#@故宮書畫圖錄，第二十四冊，頁34-39@#@@#@參考書目@#@1.劉芳如，〈清欽揖摹古〉，收入國立故宮博物院編輯委員會編，《畫梅名品特展》（臺北：國立故宮博物院，1991年元月初版），頁100。 @#@@#@內容簡介（中文）@#@ 欽揖，吳縣（今江蘇蘇州）人。字遠猷；性孤癖，寓居僧舍，終身不娶。學古通經，書法歐褚。山水韻秀。著有畫解一書。 墨梅一枝，或含苞，或盛開。筆墨均極單純，疏朗中正如題款，畫來重意不重像。畫梅至明清，已具象徵意義，代表君子孤高情懷，雖是一枝數朵，情意不減繁花重重。 本幅為「摹古冊」第十二開。 @#@@#@內容簡介（英文）@#@Imitating the Ancients Ch’in I Ch’ing Dynasty (1645-1911) Ch’in I (style name Yuan-yu) was a native of Wu-hsien (modern Soochow, Kiangsu). Aloof by nature, he lived in a monk’s and never married. Studying the ancients and versed in the Chinese Classics, Ch’in I followed the calligraphic styles of Ou-yang Hsun (557-641) and Ch’u Sui-liang (596-658). His landscapes are harmonious and elegant. Ch’in I was the author of Hua-chieh (Views on Painting). In this album leaf done in monochrome ink is a plum branch with some buds and blossoms. The ink and brushwork are both extremely pure and clear, just as described in the artist’s inscription which states that the painting emphasizes ideas and not forms. By the Ming (1368-1644) and Ch’ing (1645-1911) dynasties, plum blossom painting already had symbolic significance, representing the solitary and lofty sentiment of the man of integrity. Though this painting only includes a single branch with a few blossoms, this sentiment is no less present than had there been numerous intricate blossoms.
- 地圖
引用資訊
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