跳到主要內容區塊
:::
清惲壽平寫生花卉 冊 秋空摘月
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者惲壽平
- 色彩淺設色
- 裝裱形式冊(推蓬裝‧方幅式)
- 數量一幅
- 集叢號-件07
- 集叢號-開07
- 集叢號-幅07
- 集叢號-類型單件
- 典藏尺寸本幅@#@26.3x33.4
- 質地本幅@#@紙
- 題跋資料作者款識@#@惲壽平@#@本幅@#@何須犯斗槎。玲瓏望瑤闕。騎雲上紫薇。秋空摘明月。雲溪懶漁。@#@行書
- 主題主要主題@#@山水@#@夜景（月景）@#@@#@主要主題@#@花草@#@紫薇@#@@#@其他主題@#@山水@#@煙、霧@#@霧
- 技法寫意@#@@#@沒骨
- 參考資料收藏著錄@#@故宮書畫錄（卷六），第四冊，頁135-137@#@@#@收藏著錄@#@故宮書畫圖錄，第二十四冊，頁138-141@#@@#@參考書目@#@1.〈清惲壽平寫生花卉 冊 秋空摘月〉，收入譚怡令、劉芳如、林莉娜主編，《滿庭芳-歷代花卉名品特展》（臺北：國立故宮博物院，2010年十二月初版一刷），頁134-135。@#@@#@內容簡介（中文）@#@惲壽平（1633-1690），原名格，字壽平，後以字行，江蘇武進人。初善作山水，因自謙無力與王翬（1632-1717）爭勝，遂改工花卉。畫法承自徐崇嗣（10世紀後半）之沒骨法，又參以己意，風格獨創，蔚為清代花卉畫宗師。 本幅選自＜寫生花卉冊＞，畫紫薇花顯現在烟嵐中，後襯以當空的皓月，不但展現花卉之美，也表現月之清朗，將情境帶入畫幅中，是構景時的另一選擇。且特以墨色描繪紫薇，僅明月加染藤黃，以突顯月夜的氣氛，更為別緻。(20110102)@#@@#@內容簡介（英文）@#@ Yun Shouping originally had the name Ge and the style name Shouping, by which he later went. A native of Wujin in Jiangsu, he at first excelled at landscape painting but later felt that he could not compete with the master Wang Hui (1632-1717), turning to flowers instead. His style derives from the “boneless” method of washes used by Xu Chongsi (fl. latter half of 10th c.), but with his own interpretation as well. With his unique style, Yun Shouping became a master of flower painting in the Qing dynasty. This leaf, which comes from “Album of Flowers Sketched from Life,” depicts branches of crape myrtle emerging from mists against a sliver of bright moon looming in the background. Not only does this work highlight the beauty of blossoms, it also expresses the luminous clarity of the moon. Imbuing a painting with a lyrical realm is another choice when an artist composes an arrangement. Also special here is the use of monochrome ink to depict the crape myrtle, with only the moon rendered in washes of gamboges yellow to bring out the atmosphere of a moonlit night with even greater refinement.(20110102)
- 地圖
引用資訊
本網站使用Cookies收集資料用於量化統計與分析，以進行服務品質之改善。請點選"接受"，若未做任何選擇，或將本視窗關閉，本站預設選擇拒絕。進一步Cookies資料之處理，請參閱本站之隱私權宣告。