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清惲壽平摹古 冊
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者惲壽平
- 裝裱形式冊(蝴蝶裝‧方幅式)
- 數量一冊：十二開（本幅十二開十二幅）
- 集叢號-類型總集
- 典藏尺寸本幅@#@27x42
- 質地本幅@#@紙
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@御書房鑑藏寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@宣統御覽之寶
- 參考資料收藏著錄@#@石渠寶笈初編（御書房），下冊，頁858@#@@#@收藏著錄@#@故宮書畫錄（卷六），第四冊，頁129@#@@#@收藏著錄@#@故宮書畫圖錄，第二十四冊，頁48-51@#@@#@參考書目@#@1.王耀庭，〈清惲壽平摹古〉，收入王耀庭編，《青綠山水畫特展圖錄》（臺北：國立故宮博物院，1995年七月初版一刷），頁96。 2.陳昱全，〈清惲壽平倣黃公望天池石壁〉，收入何傳馨主編，《山水合璧：黃公望與富春山居圖特展》（臺北：國立故宮博物院，2011年五月初版一刷），頁350。 @#@@#@內容簡介（中文）@#@惲壽平（西元一六三三－一六九0年），初名格，字壽平，後以字行。家貧，不應科舉，賣畫為生。初善山水，及見王翬，度不能過，於是捨而學花卉，一洗時習，獨開生面，海內宗之，有常州派之稱。淡青綠設色的運用，元代趙孟頫最為傑出。本幅即是模仿趙孟頫。園中巨石，用石青薄罩，半透明中顯露出一種清雅的氣息。比對趙氏的名作「鵲華秋色圖」，本幅確實是追踵其意。惲氏作品以疏秀見長，園中巨石所作的披麻皴法，筆調正足以代表，也是源自趙孟頫的「鵲華秋色圖」。@#@@#@內容簡介（英文）@#@Yun Shou-p'ing used his style name Shou-p'ing in place of his original name Ko. Because his family was very poor, he was unable to prepare for the civil service examinations and painted for a living instead. At first he specialized in painting landscapes, but he realized that he could never surpass Wang Hui in this genre, so he decided to paint flowers and plants. He developed his own style, which was admired and imitated by other artists, and he became known as the founder of the Ch'ang-chou style. Of artists who painted landscapes with slight blue and green coloration, Chao Meng-fu of the Yuan dynasty is the most outstanding, and Yun Shou-p'ing entitled this leaf "In the Style of Chao Meng-fu." The enormous rocks surrounding the garden were painted with light layers of azurite. The translucency of the colored washes gives the painting an elegant, refined quality. In comparison with Autumn Colors on the Ch'iao and Hua Mountains by Chao Meng-fu, Yun Shou-p'ing's work was definitely inspired by Chao Meng-fu's. The hemp-fiber texture strokes in the rocks are representative of Yun Shou-p'ing's style, but also derived from Chao Meng-fu.
- 地圖
引用資訊
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