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明藍瑛畫花鳥 冊
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者藍瑛
- 裝裱形式冊(摺裝)
- 數量一冊：十二開（本幅十二開十二幅）
- 集叢號-類型總集
- 典藏尺寸本幅@#@39.3x25.5
- 質地本幅@#@金箋@#@@#@本幅@#@紙
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@石渠定鑑@#@@#@鑑藏寶璽@#@寶笈重編@#@@#@鑑藏寶璽@#@養心殿鑑藏寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶@#@@#@鑑藏寶璽@#@宣統鑑賞@#@@#@鑑藏寶璽@#@無逸齋精鑑璽
- 參考資料收藏著錄@#@石渠寶笈續編（養心殿），第二冊，頁1141-1142@#@@#@收藏著錄@#@故宮書畫錄（卷六），第四冊，頁96@#@@#@收藏著錄@#@故宮書畫圖錄，第二十三冊，頁206-209@#@@#@參考書目@#@1.〈明藍瑛畫花鳥〉，收入國立故宮博物院編，《晚明變形主義畫家作品展》（臺北：國立故宮博物院，1977年九月初版），頁370。 2.本社，〈明藍瑛畫花鳥冊〉，《故宮文物月刊》，第52期（1987年7月），頁4-16。 @#@@#@內容簡介（中文）@#@藍瑛，西元一五八五年生，一六六四年八十尚在。錢塘人，字田叔，號蜨叟，晚號石頭陀。善畫山水、人物、花鳥，蘭石尤絕。 此十二幅冊成於永曆辛卯，時年六十七歲，旅居於嘉興。冊中紀時最早為九月九日，最晚則為十月，約歷一月餘始成。全冊用泥金紙，筆法沉著，傅彩古艷，是蜨叟精心之作。@#@@#@內容簡介（中文）@#@藍瑛，西元一五八五年生，一六六四年八十尚在。浙江錢塘人。年幼隨當地畫師習畫，後來轉學文人松江畫派的畫風與理論。本作品共有十二開，成畫於永曆辛卯（西元一六五一年）年，時年六十七歲，旅居嘉興。本次展出第一、二開，分別為「柳杏春鶯」與「梨花雪鳥」。畫上或題詩句，或指出師法宋人之作，重點在詩意的表現，而非描繪「雪鳥」與「春鶯」的物種特色。可與「鳥譜」相對照。@#@@#@內容簡介（英文）@#@Lan Ying, a native of Ch’ien-t’ang in Chekiang, studied as a youth with local professional painters in figure and ruled-line painting. He later catered to the popular style of Sungkiang literati painting. Lan did this album, consisting of 12 leaves, in 1651 at the age of 66 while living in Chia-hsing. On display here are the first 2 leaves, which are “Spring Oriole Among Willow and Apricot” and “Snowy Bird Among Pear Blossoms”. Inscribed on one are lines of poetry and on the other is a reference to the style of a Sung dynasty (960-1279) artist, both traditional elements in painting. Poetic expression rather than the actual appearance of a “snowy bird” and “spring oriole” is thus emphasized here, serving in contrast to “Manual of Birds” on display here.@#@@#@內容簡介（英文）@#@Lan Ying was a native of Ch’ien-t’ang, Chekiang. His style name was T’ien-shu, his sobriquets Tieh-sou and Shih-t’ou-t’o. He excelled at landscapes, figures, birds, flowers, and especially orchids. This album of twelve leaves was painted in 1651 when Lan Ying, in his sixty-seventh year, was visiting Chia-hsing. The inscriptions, written between the ninth lunar month ninth day, and the tenth lunar month, indicate it was completed in about one month. The entire album is painted in gold-sprinkled paper. The brushwork has depth and firmness, the colouring has an antique beauty. It is an expression of the artist’s most characteristic qualities.
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