收藏著錄@#@石渠寶笈三編(延春閣),第五冊,頁2076@#@@#@收藏著錄@#@故宮書畫錄(卷六),第四冊,頁77-78@#@@#@收藏著錄@#@故宮書畫圖錄,第二十三冊,頁150-151@#@@#@參考書目@#@1.馬晉封,〈明李流芳唐人詩意冊(一)〉,《故宮文物月刊》,第28期(1985年7月),頁58-61。
2.馬晉封,〈明李流芳唐人詩意冊(二)〉,《故宮文物月刊》,第29期(1985年8月),頁60-61。
3.馬晉封,〈明李流芳唐人詩意冊(三)〉,《故宮文物月刊》,第30期(1985年9月),頁44-45。
4.馬晉封,〈明李流芳唐人詩意冊(四)〉,《故宮文物月刊》,第31期(1985年10月),頁162-163。
5.馬晉封,〈明李流芳唐人詩意冊(五)〉,《故宮文物月刊》,第32期(1985年11月),頁58-59。
6.何傳馨,〈明李流芳遠岫橫雲〉,收入何傳馨、許郭璜編,《夏景山水畫特展圖錄》(臺北:國立故宮博物院,1991年七月初版),頁104。
7.馬晉封,〈明李流芳唐人詩意冊(六)〉,《故宮文物月刊》,第33期(1985年12月),頁90-91。
8.馬晉封,〈明李流芳唐人詩意冊(七)〉,《故宮文物月刊》,第34期(1986年1月),頁42-43。
9.馬晉封,〈明李流芳唐人詩意冊(八)〉,《故宮文物月刊》,第35期(1986年2月),頁92-93。
10.馬晉封,〈明李流芳唐人詩意冊(九)〉,《故宮文物月刊》,第36期(1986年3月),頁58-59。
11.馬晉封,〈明李流芳唐人詩意冊(十)〉,《故宮文物月刊》,第37期(1986年4月),頁68-69。
@#@@#@內容簡介(中文)@#@李流芳(西元一五七五-一六二九年)字茂宰,一字長蘅,號檀園,晚稱慎娛居士。本籍安徽歙縣,僑居江蘇嘉定。詩文書畫俱佳,與唐時升、婁堅、程嘉燧合稱「嘉定四君子」。其山水別有意趣,自成一格,為畫中九友之一。
本冊十開取材自唐人李白、韋應物等之詩句命意,構景疏朗可愛,筆墨灑脫率意,不為成法所拘,是李氏作品中之佳構。
@#@@#@內容簡介(英文)@#@Poetic Landscapes after T’ang Poets
Li Liu-fang (1575-1629)
Ming Dynasty
Li Liu-fang (style names Mao-tsai and Ch’ang-heng; sobriquet T’an-yuan; later called Shen-yu chu-shih) was a native of Shih County, Anhwei, but he lived in Chia-ting, Kiangsu. He excelled in poetry, belles-lettres, calligraphy, and painting. Li Liu-fang along with the poets T’ang Shih-sheng, Lou Ch’ien, and Cheng Chia-sui were called “The Four Gentlemen of Chia-ting.” In painting landscapes, Li Liu-fang has a distinctive original style and is known as one of the “Nine Friends” in late Ming painting history.
The subject matter for this set of ten album leaves was inspired by the poetry of Li Po, Wei Ying-wu, other T’ang dynasty poets. The paintings are visual renderings of the poetic ideas from various poems. The compositions are clear and delightful; the brushwork is light and natural. Li Liu-fang has not been hindered by established methods. This album is one of Li Liu-fang’s finest works.