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明文徵明花卉 冊
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者文徵明
- 裝裱形式冊(蝴蝶裝‧方幅式)
- 創作時間明世宗嘉靖十二年（1533）
- 數量一冊：九開（本幅九開九幅，畫八開八幅，書一開一幅）
- 作品語文漢文
- 集叢號-類型總集
- 典藏尺寸本幅@#@32.5x53.7
- 質地本幅@#@紙
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@石渠定鑑@#@@#@鑑藏寶璽@#@寶笈重編@#@@#@鑑藏寶璽@#@御書房鑑藏寶@#@@#@鑑藏寶璽@#@所其無逸@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶@#@@#@收傳印記@#@蓮涇（重七）@#@@#@收傳印記@#@東吳王蓮涇藏書畫記
- 參考資料收藏著錄@#@石渠寶笈續編（御書房），第四冊，頁1997@#@@#@收藏著錄@#@故宮書畫錄（卷六），第四冊，頁46-47@#@@#@收藏著錄@#@故宮書畫圖錄，第二十二冊，頁280-283@#@@#@參考書目@#@1.江兆申，〈文徵明花卉 冊〉，收入國立故宮博物院編，《吳派畫九十年展》（臺北：國立故宮博物院，1975年初版，1976年再版，1981年三版），頁309 - 310。 @#@@#@參考書目@#@吳誦芬、童文娥、譚怡令，〈明文徵明花卉 冊〉，收入《明四大家特展－文徵明》（臺北：國立故宮博物院，2014.03），頁262-267、345。@#@@#@內容簡介（中文）@#@文徵明（西元一四七O－一五五九年）初名壁，字徵明，後以字行。號停雲生、衡山居士。詩文書畫並佳，畫師沈周，為吳派畫家中堅。吳派多擅花卉寫生，本幅作於嘉靖十二年（一五三三），是年夏季，受徐縉邀請，避暑於洞庭西山徐宅。清談酣適之際，乘興繪窗間名花異卉，或綴以奇石。花朵及枝葉或以墨線勾畫，或以墨色表現，間或設色點染。通冊運筆挺健，靈活多變，極富生意。@#@@#@內容簡介（中文）@#@文徵明（西元一四七○－一五五九年）初名壁，字徵明，後以字行。號停雲生、衡山居士。詩文書畫並佳，畫師沈周，為明朝四大家之一。 本幅為徵明於嘉靖十二年（一五三三）所作。是年夏季，受徐縉邀請，避暑於洞庭西山徐宅，於清談酣適之際，乘興點染窗間名花異卉，或綴以奇石，乃成此冊。通幅運筆挺健，靈活多變，極富生意，為文氏得意作品。@#@@#@內容簡介（英文）@#@Wen Cheng-ming, a native of Soochow, excelled at poetry, writing, calligraphy, and painting. In painting, he studied under Shen Chou, eventually becoming one of the Four Masters of the Ming and one of the most influential artists of the time. Wen Cheng-ming completed this work in 1533 at the age of 63. That summer he was invited as the guest of Hsu Chin at the latter's summer residence at Hsi-shan (West Mountain), Tung-t'ing. Inspired by their pure conversation, Wen did paintings of flowers and rocks seen from the window of Hsu's studio. These works formed the leaves of this album. The brushwork is strong with numerous lively movements. Of exceptional spirit and life, this work by Wen Cheng-ming stands out in particular.@#@@#@內容簡介（英文）@#@Wen Cheng-ming (original name Pi), a native of Soochow, was gifted at poetry, prose, calligraphy, and painting. In the latter he took Shen Chou as his teacher and became a foundation for the Wu school, often excelling at the “sketching ideas” style. This work was done in the summer of 1533. At the invitation of Hsu Chin, Wen took respite from the summer heat at Tung-t’ing West Mountain. Happy and content, he took up the brush in high spirits to depict the beautiful flowers by his window or embellished it with exotic rocks. The blossoms, stems, and leaves were done with outlines or washes of ink, to which touches of color were added. The brushwork in the album is strong and spirited with dramatic changes for a very lively quality.
- 地圖
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