收藏著錄@#@石渠寶笈續編(乾清宮),第一冊,頁409@#@@#@收藏著錄@#@故宮書畫錄(卷六),第四冊,頁43-45@#@@#@收藏著錄@#@故宮書畫圖錄,第二十二冊,頁238-241@#@@#@參考書目@#@林麗江,〈明仇英臨宋元六景 冊 松林村落〉,收入邱士華、林麗江、賴毓芝主編《偽好物-16~18世紀蘇州片及其影響》(臺北:國立故宮博物院,2018.04),頁56-63。@#@@#@參考書目@#@許文美、劉芳如,〈明仇英臨宋元六景 冊 松林村落〉,收入《明四大家特展-仇英》(臺北:國立故宮博物院,2014.10),頁110-119、326-327。@#@@#@內容簡介(中文)@#@仇英(約一四九四-一五五二),字實父,號十洲,江蘇太倉人。年青時曾為漆工,後遇周臣,經其指授,漸有名於藝壇。工畫山水、人物、兼善花卉、鳥獸、傳世蕃馬之作,亦復不少。畫為臨宗元六景冊第三開,山坳田舍,綠野中,農夫正驅牛耕田。按仇英曾受聘於大收藏家項元汴,臨摹古畫頗有心得,此冊精麗中,又有一份瀟灑;為仇英本色,畫有項氏收藏印,很可能即受聘項家時所作。@#@@#@內容簡介(英文)@#@Album of Six Scenery Spots after the Style of the Sung and Yuan Masters
Ch'iu Ying (ca. 1494-1552)
Ming Dynasty
Ch'iu Ying was a native of Kiangsu province. He had been a professional lacquer artisan before he met Chou Ch'en. Under Chou's teaching, he became a renowned member of artistic circles. He excelled in paintings of the categories: landscape, figure, flower-and-bird, and animal.
This painting is the third leaf of the album. There are many houses in the mountain valley. Farmers drive oxen to till the land. When Ch'iu worked for the great collector Hsiang Yuan-pien (1525-1590), he copied many paintings by ancient artists. Since the painting exhibits a seal by Hsiang, it is likely that the painting was done by Ch'iu Ying while he worked for Hsiang Yuan-pien.