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宋李唐畫四時山水 冊
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者李唐
- 裝裱形式冊(摺裝)
- 數量一冊：五開（本幅四開四幅，後副葉一開一幅）
- 集叢號-類型總集
- 典藏尺寸本幅一@#@8x26.5@#@@#@對幅一@#@14.5x26.4@#@@#@本幅二@#@7.7x27.3@#@@#@對幅二@#@14.1x27.2@#@@#@本幅三@#@15.2x24.4@#@@#@對幅三@#@15.2x24.4@#@@#@本幅四@#@7.7x25.2@#@@#@對幅四@#@14x25.2@#@@#@後副葉@#@8x25
- 質地本幅@#@絹@#@@#@對幅@#@紙@#@@#@後副葉@#@紙
- 題跋資料題跋@#@董其昌@#@後副葉@#@其昌@#@行書@#@李唐在北宋。為畫院名手。至南渡後亦擅場。在馬夏之右。此四幅乃其合作也。其昌。
- 印記資料鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@嘉慶鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@寶笈三編@#@@#@鑑藏寶璽@#@周甲延禧之寶@#@@#@鑑藏寶璽@#@陶冶性靈@#@@#@鑑藏寶璽@#@無為而成@#@@#@鑑藏寶璽@#@宣統御覽之寶
- 參考資料收藏著錄@#@石渠寶笈三編（延春閣），第三冊，頁1476@#@@#@收藏著錄@#@故宮書畫錄（卷六），第四冊，頁9@#@@#@收藏著錄@#@故宮書畫圖錄，第二十二冊，頁58-61@#@@#@參考書目@#@1.王耀庭，〈宋李唐梅齋罨翠〉，收入王耀庭編，《淵明逸致特展圖錄》（臺北：國立故宮博物院，1988年初版），頁100。 2.王耀廷，〈傳宋李唐梅齋罨翠〉，收入國立故宮博物院編輯委員會編，《文學名著與美術特展》（臺北：國立故宮博物院，2001年初版），頁144-145。 3.〈宋李唐梅齋罨翠〉，收入劉芳如主編，《書畫裝池之美》（臺北：國立故宮博物院，2008年初版一刷），頁104-105。 4.林莉娜，〈宋李唐江舟釣雪〉，收入林莉娜、張華芝編，《冬景山水畫特展圖錄》（臺北：國立故宮博物院，1989年元月初版），頁57-58。 @#@@#@內容簡介（中文）@#@李唐（西元一○四九－一一三○年），河南孟縣人，字晞古。生於仁宗皇祐元年，死於高宗建炎四年。在徽宗皇帝時入畫院，建炎年間為待詔，擅長山水人物。 此冊畫四時山水，依籤題序為第一，畫喬松梅齋，春溪泊舟。第二，畫碧荷晴波，柳榭招涼。第三，畫秋色離離，曲徑巖關。第四，畫凍雲積雪，江舟獨釣。畫幅上下高度狹窄，構景成橫向發展。四幅畫風略異，其中第一幅筆墨精謹，設色雅麗，尤稱佳作。 @#@@#@內容簡介（英文）@#@Li T'ang (style name Hsi-ku) was from Meng County in Honan. He entered the Imperial Academy of Painting during the reign of the emperor Hui-tsuug, and in the late 1120s became a Painter-in- Attendance. He excelled in landscape and figure painting. This album comprises paintings of the four seasons. The first of these paintings is a depiction of stately pines, plum trees, small houses, and a skiff which floats on the spring stream. The second portrays a watery expanse of green lotuses, above which rises a willow-shaded pavilion where some gentlemen enjoy the coolness. The third is an autumn scene in which a winding trail disappears into a mountain pass. The fourth is a snowy landscape, where a man in a sloitary boat is fishing in the river. Within the confines of the narrowness of these paintings, the compositions are developed horizontally. The style of each piece is slightly different, and the first painting is considered particularly superb. The brushwork is masterful, and the coloring is exquisite.@#@@#@內容簡介（英文）@#@This set of album leaves, bearing neither seal nor signature of the artist, was later ascribed to Li T'ang, a Sung dynasty court artist active from the reign of Hui-tsung into the early Southern Sung. In its history, this set entered the collection of the Ch'ing court, which is why it has the imperial seals and inscribed verse of the Chia-ch’ing Emperor (r. 1796-1820) and is also impressed with inner court collection seals. Two of the leaves are shown here. The imperial seals on the former, as they appear, are: Shih-ch'u pao-chi, Pao-chi san-pien, Chia-ch'ing yu-lan chih pao, Chou-chia yen-hsi chih pao, and Chia-ch'ing. In order, those on the latter are Chia-ch'ing chien-shang, San-hsi t'ang ching-chien hsi, I tzu-sun, Chia-ch'ing yu-pi, and Jih-chien tsai-tzu.
- 地圖
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