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清王翬畫山水 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者王翬,Wang Hui
- 色彩淺設色
- 裝裱形式軸
- 創作時間清聖祖康熙十九年（1680）
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@128.4x55.4
- 質地本幅@#@紙
- 題跋資料作者款識@#@王翬@#@本幅@#@萬壑響松風。百灘度流水。庚申（西元一六八０年）秋八月。倣巨然筆於金陵續燈庵。耕煙散人王翬。@#@行楷書
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@石渠定鑑@#@@#@鑑藏寶璽@#@寶笈重編@#@@#@鑑藏寶璽@#@乾清宮鑑藏寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶
- 主題主要主題@#@山水@#@@#@次要主題@#@山水@#@溪澗、湍泉@#@溪澗@#@@#@其他主題@#@建築@#@房舍@#@@#@其他主題@#@山水@#@瀑布@#@@#@其他主題@#@樹木@#@松@#@@#@其他主題@#@樹木@#@寒林．枯樹@#@枯樹@#@@#@其他主題@#@山水@#@山徑@#@@#@其他主題@#@人物@#@高士（士人、隱士）@#@士人@#@@#@其他主題@#@樹木
- 技法寫意@#@@#@皴法@#@披麻皴@#@@#@苔點@#@@#@皴法
- 參考資料收藏著錄@#@石渠寶笈續編（乾清宮），第二冊，頁592@#@@#@收藏著錄@#@故宮書畫錄（卷五），第三冊，頁530@#@@#@收藏著錄@#@故宮書畫圖錄，第十冊，頁121-122@#@@#@內容簡介（中文）@#@王翬（西元一六三二－一七一七年），字石谷，號耕煙散人、烏目山人。少即善畫，繼得王鑑、王時敏指授，並隨之閱覽各地珍藏，臨摹名蹟，因能筆參古今，貌合南北。 本幅畫松畫草，特似南田；畫水皴山，用筆迅疾，略近江上，與一般面目小異。蓋連年與惲壽平、笪重光文酒週旋，故放意筆端，自然相近。用筆運墨，灑潑自然，為一時興會之作。時年四十九歲。 @#@@#@內容簡介（中文）@#@ 王翬（西元一六三二－一七一七年），字石谷，號耕煙散人、烏目山人。少即善畫，繼得王鑑、王時敏指授，並隨之閱覽各地珍藏，臨摹名蹟，因能筆參古今，貌合南北。 本幅畫松畫草，特似南田；畫水皴山，用筆迅疾，略近江上，與一般面目小異。蓋連年與惲壽平、笪重光文酒週旋，故放意筆端，自然相近。用筆運墨，灑脫自然，為一時興會之作。時年四十九歲。 (20120103)@#@@#@內容簡介（英文）@#@ Wang Hui (style name Shigu and sobriquets Gengyan sanren, Wumu shanren) was already gifted at painting in his youth. He then studied under Wang Jian and Wang Shimin, with them visiting many great art collections. By copying, he learned a variety of ancient and modern styles spanning the Northern and Southern Schools. This landscape with grasses and pines (done at the age of 49 by Chinese reckoning) is especially close in style to Yun Shouping’s. Sweeping strokes for water and mountain motifs run to the slope and differ from conventional renderings. For years, Wang Hui associated with Yun Shouping and Da Chongguang, so naturally their styles appear similar. Brush and ink are spirited and natural, perhaps the result of a convivial moment.(20120103)@#@@#@內容簡介（英文）@#@ Wang Hui, a native of Kiangsu, was already a capable painter when he met Wang Chien and became his student. He later studied under Wang Shih-min. With these two masters, he visited great collections of art. By copying works, he learned a variety of ancient and modern styles. This landscape with grasses and trees is close in style to that of Yűn Shou-p’ing. The sweeping strokes for the water as they run into the slope differ from conventional renderings. For years, Wang Hui associated with Yűn Shou-p’ing and Ta Ch’ung-kuang, so it is natural that their styles are similar to one another’s. The use of brush and ink is spirited and natural, perhaps the result of a convivial moment. This was done by Wang in 1680.
- 地圖
引用資訊
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