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清惲向秋亭嘉樹圖 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者惲向
- 色彩水墨
- 裝裱形式軸
- 創作時間清世祖順治十一年（1654）
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@67.1x29.3
- 質地本幅@#@紙
- 題跋資料作者款識@#@惲向@#@本幅@#@甲午（西元一六五四年）十二月初九日寫。香山向。@#@行書@#@@#@作者款識@#@惲向@#@本幅@#@吳竹嶼之為雲林也。吾惡其太秀。藍田叔之為雲林也。吾惡其太老。秀而老。乃真老也。老而嫩。乃真秀也。此是倪迂真面目。後五日又題。@#@行書
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@御書房鑑藏寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶@#@@#@收傳印記@#@宋氏穉佳書畫庫記@#@@#@收傳印記@#@臥菴所藏@#@@#@收傳印記@#@休寧朱之赤珍藏圖書
- 主題主要主題@#@山水@#@@#@次要主題@#@樹木@#@寒林．枯樹@#@枯樹@#@@#@其他主題@#@樹木@#@@#@其他主題@#@建築@#@亭@#@@#@其他主題@#@山水@#@江河、湖海@#@江河
- 技法寫意@#@@#@皴法
- 參考資料收藏著錄@#@石渠寶笈初編（御書房），下冊，頁1156@#@@#@收藏著錄@#@故宮書畫錄（卷五），第三冊，頁514@#@@#@收藏著錄@#@故宮書畫圖錄，第十冊，頁91-92@#@@#@內容簡介（中文）@#@ 惲向，生於明萬曆十四（西元一五八六）年，卒於清順治十二（西元一六五五）年，江蘇武進人。本名道生，字本初，後改名向，又以字行，號香山翁。愛好詩歌古文辭，善畫山水。早歲作品，氣厚力沉，全摹董源巨然畫法。晚年惜墨如今，蕭然自遠，意興則模擬倪瓚，自許頗得老秀二字。@#@@#@內容簡介（英文）@#@Fine Trees by an Autumn Pavilion Yun Hsiang Ch’ing dynasty Yun Hsiang (1586-1655) was a native of Wu-chin in Kiangsu. His personal name was originally Tao-sheng and his style name Pen-ch’u. He later changed his personal name to Hsiang, ementually adopting his style name, Pen-ch’u, as his personal name to Hsiang, ementually adopting his style name, Pen-ch’u, as his personal name, His sobriquet was Hsiang-shan weng. He was not only fond of poetry and ancient literature but a fine landscape painter. In his early landscape works there is a dense and ponderous quality modeled after the masters Tung Yuan and Chu-jan. He used ink sparingly in his later works so that they are lighter in feeling, and somewhat similar to those of Ni Tsan and Huang Kung-wang. This painting was completed when he was sixty-eight years of age. The ink is applied lightly with a dry brush in imitation of Ni Tsan, and well deserves the epithet ‘antique’.
- 地圖
引用資訊
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