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清王鑑倣趙孟頫茂林蕭寺圖 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者王鑑
- 色彩設色,青綠
- 裝裱形式軸
- 創作時間清世祖順治十五年（1658）
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@101.9x47.4@#@@#@詩塘@#@28.2x47.4
- 質地本幅@#@紙@#@@#@詩塘@#@紙
- 題跋資料作者款識@#@王鑑@#@本幅@#@戊戌（西元一六五八年）春二月。倣趙松雪茂林蕭寺。湘碧鑑。@#@行楷書@#@@#@題跋@#@吳偉業@#@詩塘@#@弟吳偉業。題於真想齋。@#@行書@#@曉雨溪山漲綠蕪。碧瀾堂畔遠峰孤。誰將秀邸王孫筆。改作廉州刺史圖。趙承旨於京師。同鮮于諸公。高會萬柳莊。賈人攜千金隨之。隨所渲染易去。今其地遺址尚存。余在大都。尚有談其事者。照老此幅。真足亂真。得者宜珍重。以名香寶鼎作供養也。弟吳偉業。題於真想齋。
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@石渠定鑑@#@@#@鑑藏寶璽@#@寶笈重編@#@@#@鑑藏寶璽@#@養心殿鑑藏寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶
- 主題主要主題@#@山水@#@@#@次要主題@#@建築@#@臺閣@#@@#@其他主題@#@山水@#@江河、湖海@#@江河@#@@#@其他主題@#@樹木@#@楊柳@#@@#@其他主題@#@建築@#@橋@#@@#@其他主題@#@樹木@#@@#@其他主題@#@山水@#@山徑@#@@#@其他主題@#@人物@#@高士（士人、隱士）@#@@#@其他主題@#@器用@#@枴杖@#@@#@其他主題@#@山水@#@雲
- 技法寫意@#@@#@皴法@#@披麻皴@#@@#@人物衣紋描法(減筆)@#@@#@苔點
- 參考資料收藏著錄@#@石渠寶笈續編（養心殿），第二冊，頁1144@#@@#@收藏著錄@#@故宮書畫錄（卷五），第三冊，頁510@#@@#@收藏著錄@#@故宮書畫圖錄，第十冊，頁75-76@#@@#@內容簡介（中文）@#@ 王鑑（西元一五九八－一六七七年），太蒼人。字圓照，號湘碧，自稱染香庵主，世貞之孫。仕至廉州知府，精通畫理，山水為清四大家之一。 畫水上群山，逶迤一逕，老者策杖躑躅於其間。紙生筆澀，用大綠與赭。自題：仿趙孟頫。此幅成於順治戊戌，作者六十一歲。 @#@@#@內容簡介（中文）@#@王鑑（西元一五九八－一六七七年），江蘇太倉人，號湘碧。明代名士王世貞孫，山水與王時敏、王翬、王原祁並稱清初四王。 四王深受明末董其昌畫論影響，崇尚畫史「南宗」。明中葉後仇英青綠山水畫風盛行，王鑑另闢蹊徑習趙孟頫青綠。自題：戊戌（一六五八年）春二月，倣趙松雪茂林蕭寺。群山中一逕逶迤，高士策杖其間；巖豁梵宇，澗水石橋。筆墨秀麗，山脈走向帶有動勢。全幅典雅清麗。 @#@@#@內容簡介（英文）@#@Wang Chien, native to T’ai-ts’ang, Kiangsu, was the grandson of the renowned Ming scholar Wang Shih-chen, his landscapes ranking him among the Four Early Ch’ing Masters. The Four Wangs, including Wang Chien, were influenced by the late-Ming theories of Tung Ch’i-ch’ang, who venerated the “Southern School.” After the middle Ming, Ch’iu Ying’s blue-and-green style rose in popularity, but Wang Chien blazed a new trail using Chao Meng-fu’s. His inscription here is dated to 1658. A path winds through mountains as a lofty scholar walks with a staff. In the rocky opening is a Buddhist temple, the water rushing under a stone bridge. Brush and ink are elegantly beautiful, the mountain ranges seemingly alive. The work is as classical as it is pure.@#@@#@內容簡介（英文）@#@ Wang Chien was the great-grandson of the scholar-artist Wang Shih-chen and a distant relative of Wang Shih-min. After passing the civil service examinations, Wang Chien served as a Prefect in Canton under the last Ming emperor. As a painter he was influenced by Tung Ch’i-ch’ang and the Yuan dynasty landscapists. He is considered as one of the Four Wangs of the Ch’ing dynasty. A rise of mountain peaks overlooks the water. An old man learning on a staff meanders along the winding path. The unsized paper registers slow astringent brushwork. Bright mineral greens and sepias further enliven the ink tones. This painting, a copy of Chao Meng-fu’s “Temple in a Lush Forest,” was done in 1658.
- 地圖
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