跳到主要內容區塊
:::
清王時敏倣王蒙山水 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者王時敏,Wang Shimin
- 色彩淺設色
- 裝裱形式軸
- 創作時間清聖祖康熙六年（1667）
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@170x69.6@#@@#@右褾綾@#@24.7x11.1
- 質地本幅@#@紙
- 題跋資料作者款識@#@王時敏@#@本幅@#@丁未（西元一六六七年）秋日。倣黃鶴山樵筆。王時敏。@#@行書@#@@#@題跋@#@孫朝讓@#@本幅@#@壬戌暮春。九十翁孫朝讓題。@#@行書@#@余家舊藏黃鶴山樵花谿漁隱圖。後歸思白尚書。尚書嘗謂余曰。當為收藏壓卷。今睹煙客奉常此畫。恍然如微風動竹矣。壬戌暮春。九十翁孫朝讓題。@#@@#@題跋@#@錢朝鼎@#@本幅@#@朝鼎@#@楷書@#@曾見石田翁廬山高圖。法黃鶴山樵筆。層巒疊嶂。沈鬱變化。令人目不暇接。真有橫看成嶺側成峰之勢。奉常先生此圖。彷彿相似。流覽忘疲。歸神日毋。釋手為之悒怏。朝鼎。@#@@#@題跋@#@王翬@#@右褾綾@#@辛酉中秋。後學王翬拜題於金陵客舍。@#@行書@#@叔明畫以輞川為骨。北苑為神。趙吳興為風韻。古秀鬱密。兼備眾長。勝國時推獨步。此圖奉常先生傑作。直與山樵頡頏矣。辛酉中秋。後學王翬拜題於金陵客舍。
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@石渠定鑑@#@@#@鑑藏寶璽@#@寶笈重編@#@@#@鑑藏寶璽@#@重華宮鑑藏寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶
- 主題主要主題@#@山水@#@@#@次要主題@#@山水@#@溪澗、湍泉@#@@#@其他主題@#@山水@#@江河、湖海@#@江河@#@@#@其他主題@#@樹木@#@楊柳@#@@#@其他主題@#@樹木@#@松@#@@#@其他主題@#@建築@#@房舍@#@@#@其他主題@#@人物@#@高士（士人、隱士）@#@@#@其他主題@#@人物@#@侍從（侍女、童僕）@#@童僕@#@@#@其他主題@#@翎毛@#@鶴@#@@#@其他主題@#@器用@#@扇@#@扇@#@@#@其他主題@#@器用@#@傢俱（屏風）@#@榻@#@@#@其他主題@#@建築@#@橋@#@@#@其他主題@#@建築@#@茅草屋@#@@#@其他主題@#@人物@#@百姓@#@@#@其他主題@#@山水@#@山徑@#@@#@其他主題@#@樹木@#@@#@其他主題@#@山水@#@瀑布
- 技法寫意@#@@#@皴法@#@@#@皴法@#@披麻皴@#@@#@人物衣紋描法(減筆)@#@@#@苔點
- 參考資料收藏著錄@#@石渠寶笈續編（重華宮），第三冊，頁1721@#@@#@收藏著錄@#@故宮書畫錄（卷五），第三冊，頁507@#@@#@收藏著錄@#@故宮書畫圖錄，第十冊，頁17-18@#@@#@內容簡介（中文）@#@王時敏，江蘇太倉人，（西元一五九二－一六八０年）字遜之，號煙客，自稱西廬老人、西田主人、偶諧道人、歸村老農。性資穎異，淹雅博物，畫為清四大家之一。 此幅仿王蒙筆，層山疊翠，一澗中分。幅右下叢樹中置一草堂，高士揮扇對庭前舞鶴。皴山石以渴筆牛毛皴，下筆穩健，用墨由淡入深，層層皴染，通幅筆墨綿密而精工，學王蒙甚得其穩重蒼鬱之趣，畫成於康熙丁未（一六六七年），時年七十五。 @#@@#@內容簡介（中文）@#@王時敏（1592－1680），江蘇太倉人。字遜之，號煙客，又號西廬老人、西田主人、偶諧道人、歸村老農。性資穎異，淹雅博物，為清初四王之首。 本幅仿王蒙筆，層山疊翠，一澗中分。幅右下叢樹中畫一草堂，高士揮扇對庭前舞鶴。皴山石以渴筆牛毛皴，下筆穩健，用墨由淡入深，層層皴染，通幅筆墨綿密而精工，學王蒙甚得其穩重蒼鬱之趣。此幀成於丁未（1667），時年王時敏七十五歲。 (20110913)@#@@#@內容簡介（英文）@#@Wang Shimin, a native of Taicang in Jiangsu, had the style name Xunzhi; his sobriquets were Yanke, Xilu laoren, Xitian zhuren, Ouxie daoren, and Guicun laonong. Talented by disposition and unusually gifted, he delved into leisurely pursuits and studies, becoming head of the Four Wangs of the Early Qing. This landscape after the Yuan dynasty painter Wang Meng depicts layers of mountains bisected by a mountain torrent. In a thatched pavilion in the grove of trees in the lower right sits a lofty scholar waving a fan and watching a dancing crane. The rocks and mountains are depicted in fine “ox-hair” texture strokes applied with a dry, firm brush; ink was rendered in progressively darker layers. This work, executed in meticulous and detailed brushwork, successfully emulates the sedate, verdant qualities of Wang Meng’s paintings. It was completed in 1667, when Wang Shimin was 75 by Chinese reckoning. (20110913)@#@@#@內容簡介（英文）@#@ The talented and learned Wang Shih-min was one of the “Four Masters of the Ch’ing Dynasty.” He was from T’ai-ts’ang, Kiangsu. His style-name was Hsun-chih, and his sobriquet was Ephemeral Guest; he also called himself Old Man of Hsi-lu, Master of the Western Fields, On-hsieh Taoist, and Old Farmer Heading Home. This landscape after the Yuan dynasty painter Wang Meng (ca.1308-1385) depicts layers of mountains bisected by a mountain torrent. In the thatched pavilion in the grove of trees in the lower right, a gentleman sits waving a fan, watching a dancing crane. The rocks and mountains are drawn in fine “ox hair” texture-strokes applied with a dry, firm brush; ink is applied in progressively darker layers. This work, executed in meticulous, detailed brushwork, successfully emulates the sedate, verdant qualities of Wang Meng’s paintings. It was completed in 1667, when the artist was seventy-five years of age.
- 地圖
引用資訊
本網站使用Cookies收集資料用於量化統計與分析，以進行服務品質之改善。請點選"接受"，若未做任何選擇，或將本視窗關閉，本站預設選擇拒絕。進一步Cookies資料之處理，請參閱本站之隱私權宣告。