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明周之冕畫葡萄松鼠 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者周之冕,Zhou Zhimian
- 色彩設色
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@109.5x36.8
- 質地本幅@#@絹
- 題跋資料作者款識@#@周之冕@#@本幅@#@汝南周之冕@#@行楷書
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@嘉慶鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@寶笈三編@#@@#@鑑藏寶璽@#@宣統御覽之寶
- 主題主要主題@#@走獸@#@鼠@#@松鼠@#@@#@主要主題@#@果蔬@#@葡萄@#@@#@次要主題@#@花草@#@蓮荷@#@@#@次要主題@#@花草@#@紅蓼@#@@#@次要主題@#@水中動植物@#@荇藻
- 技法寫意
- 參考資料收藏著錄@#@石渠寶笈三編（御書房），第七冊，頁3121@#@@#@收藏著錄@#@故宮書畫錄（卷五），第三冊，頁440-441@#@@#@收藏著錄@#@故宮書畫圖錄，第八冊，頁197-198@#@@#@內容簡介（中文）@#@ 周之冕（西元一五四二－一六○六年），江蘇長洲人。字服卿，號少谷。書工古隸。善畫花鳥，家中蓄養各種禽鳥，能詳細觀察飲啄飛止的動作，因此用筆很有生意。 畫蘋花紅蓼，雜以蒲荷。葡萄老幹一枝，糾纏盤結，松鼠據籐而伏。全畫不用墨勾，是很好的沒骨設色花卉，筆意頗為生動。 @#@@#@內容簡介（中文）@#@周之冕（西元一五四二－一六○六年），長洲人(今江蘇蘇州)。字服卿，號少谷。善畫花鳥，於家中蓄養各種禽鳥，詳細觀察其飲啄飛止的動作，因此筆下特富生意。 本幅前景畫水塘裡，荷葉與紅蓼、荇藻相傍而生，上方則見葡萄結實累累，枝幹糾纏盤結，松鼠據籐而伏。全畫採用「鉤花點葉法」，兼工帶寫，形象於真實中，兼得筆墨活潑生動之致。 (20121016)@#@@#@內容簡介（英文）@#@ Zhou Zhimian (style name Fuqing, sobriquet Shaogu), a native of Changshu in Jiangsu, excelled at bird-and-flower subjects, raising a large number of fowl at home in order to study their various habits and movements, making his paintings therefore very lifelike. In the foreground of this painting is a pond, where lotuses and polygonum mingle with rushes and water plants. Above, a squirrel grabs hold of a tangled and knotted grapevine and is perched there. This work is done in the technique of “outlined flowers and dabbed leaves.” Combining fine-line and sketchy brushwork, the forms appear realistic and the use of brush and ink quite lively and animated. (20121016)@#@@#@內容簡介（英文）@#@Chou Chih-mien, style name Fu-ch’ing and sobriquet Shao-ku, was a native of Ch’ang-shu in Kiangsu province. He was a skilled calligrapher in the ancient clerical style and a good painter of birds and flowers. In order to study their habits and movements, he kept a rich variety of birds in his home. His paintings were consequently very lifelike. Marsilia and polygonum mingle with rushes and lotus. Above, a squirrel perches on a tangled grapevine. There are no ink outlines in the painting; everything has been painted with the mo-ku, or “boneless”, technique in colors. This painting is full of life.
- 地圖
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