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明宋旭雲巒秋瀑圖 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者宋旭
- 色彩設色
- 裝裱形式軸
- 創作時間明神宗萬曆十一年（1583）
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@125.8x32.8
- 質地本幅@#@紙
- 題跋資料作者款識@#@宋旭@#@本幅@#@雲巒秋瀑。（隸書）。萬曆癸未（西元一五八三年）九月廿日。檇李宋旭製。（楷書）。@#@隸書@#@@#@題跋@#@馮大受@#@本幅@#@秋日馮大受題@#@行書@#@玉削群峰倚太空。秋深攜眺躡長虹。瓊漿亂噴青天雨。珠箔橫翻碧海風。勝地自應棲化鶴。高蹤誰不羨冥鴻。同來詞客俱陶謝。賦就明珠落掌中。秋日馮大受題。
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@養心殿鑑藏寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶@#@@#@收傳印記@#@北垞藏弆
- 主題主要主題@#@山水@#@秋景@#@@#@主要主題@#@樹木@#@松@#@@#@其他主題@#@樹木@#@@#@其他主題@#@器用@#@文玩（琴棋書畫）@#@棋@#@@#@其他主題@#@建築@#@寺廟@#@@#@其他主題@#@山水@#@山徑@#@@#@其他主題@#@山水@#@瀑布@#@@#@其他主題@#@人物@#@高士（士人、隱士）@#@@#@其他主題@#@人物@#@侍從（侍女、童僕）@#@童僕
- 技法皴法@#@@#@人物衣紋描法(粗細線條)@#@@#@苔點
- 參考資料收藏著錄@#@石渠寶笈初編（養心殿），上冊，頁657@#@@#@收藏著錄@#@故宮書畫錄（卷五），第三冊，頁430@#@@#@收藏著錄@#@故宮書畫圖錄，第八冊，頁165-166@#@@#@參考書目@#@1.林莉娜，〈明宋旭雲巒秋瀑圖〉，收入林莉娜編，《秋景山水畫特展圖錄》（臺北：國立故宮博物院，1989年十月初版），頁77。 @#@@#@內容簡介（中文）@#@ 宋旭，（西元一五二三至一六○二）嘉興人，字初暘，號石門。後為僧，法名祖玄。善山水，兼長人物。萬曆間，名重海內。曾繪白雀寺壁，時稱妙絕。此幀成於萬曆癸末，為石門五十九歲作。畫兩峰並峙，一水中分，瀑流迤邐而下。高峰之間，與瀑流之上，有寺宇水閣。其下則高泉遽落，亂石小徑在長松間。兩翁觀泉，指顧而談。皴筆皆用濕墨小牛毛，而以渴苔提破，有疏朗之致。@#@@#@內容簡介（英文）@#@Sung Hsu was a native of Chia-hsing (Chekiang province), his style name was Ch’u-yang and his sobriquet Shih-men. In his later years he became a Buddhist monk and adopted the name Tsu-huan. As a painter he was good at landscape and also figure subjects. In the Wan-li period (1573-1620) he achieved nation wide fame and his wall paintings in the Pai-ch’iieh monastery were considered exceptionally marvellous. This work was done in 1583, when the artist was in his 59th year. It depicts mountain ridges rising up into two peaks which seem to bow to one another across the torrent separating them.Through the gorge water cascades down a twisting bed. Between the mountain slopes and over the water sit temple buildings and pavilions. Below, the waters fall suddenly from their high mountain source to where a narrow path winds among tumbled boulders and tall pines. Two old men rest there, watching back to the waterfall and chatting. The painter has used his brush, well loaded with ink, predominently in the technique called “small ox-hair” texture stroke.
- 地圖
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