跳到主要內容區塊
:::
明莫是龍東岡草堂圖 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者莫是龍
- 色彩淺設色
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@131.6x53
- 質地本幅@#@紙
- 題跋資料作者款識@#@莫是龍@#@本幅@#@秋色離離到草堂。早看疎葉點新霜。道人自得閒中味。睡起攤書映夕陽。寫東岡草堂圖并題。雲間莫是龍。@#@楷書@#@@#@題跋@#@清高宗@#@本幅@#@戊申季秋用圖中自題韻。御筆。@#@行書@#@楓丹松翠護書堂。亦有禁風亦耐霜。撫卷高人蓋自喻。那知戶外過斜陽。戊申季秋用圖中自題韻。御筆。
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@石渠定鑑@#@@#@鑑藏寶璽@#@寶笈重編@#@@#@作者印記@#@乾清宮鑑藏寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶@#@@#@收傳印記@#@蘿軒審定@#@@#@收傳印記@#@荊蠻採藥人
- 主題主要主題@#@山水@#@秋景@#@@#@次要主題@#@樹木@#@松@#@@#@次要主題@#@建築@#@房舍@#@@#@次要主題@#@山水@#@雲@#@@#@次要主題@#@山水@#@山徑@#@@#@次要主題@#@山水@#@溪澗、湍泉@#@湍泉@#@@#@其他主題@#@建築@#@橋@#@@#@其他主題@#@人物@#@高士（士人、隱士）@#@隱士２人@#@@#@其他主題@#@樹木@#@@#@其他主題@#@山水@#@江河、湖海
- 技法寫意@#@@#@皴法@#@披麻皴@#@@#@人物衣紋描法(減筆)
- 參考資料收藏著錄@#@秘殿珠林續編（乾清宮），頁430@#@@#@收藏著錄@#@故宮書畫錄（卷五），第三冊，頁429-430@#@@#@收藏著錄@#@故宮書畫圖錄，第九冊，頁25-26@#@@#@內容簡介（中文）@#@ 莫是龍（西元一五九０年前後），江蘇華亭人，僑居上海。曾得米芾玩過的奇石，在上刻上雲卿兩個字因以此為字。後又更字廷韓，號秋水，又號後明。幼年就有神童之稱。詩文皆宗唐人，書法鍾繇、王羲之、米芾。畫山水，學黃公望，著有畫說一卷討論繪畫理論。 這幅畫群峰四合中，雲映樹影。溪泉奔壑，隱約若聞有聲。草堂中一人據几讀書。林間一人散步。筆墨清雅古淡，是典型的文人畫。畫上自題七言詩句也很好。 @#@@#@內容簡介（英文）@#@Mo Shih-lung, was a native of Hua-t’ing in Kiang-su, but later moved to Shanghai. An unusual stone once held by Mi Fei came into his possession, and he took his style name, Yun-ch’ing, from two characters carved on this stone. Later he took another tzu (style name), T’ing-han, and the hao (sobriquets) Ch’iu-shui and Hou-ming. He was a child prodigy, and his later poetry and prose followed the traditions of T’ang and Sung masters. His calligraphy was in the tradition of Chung Yu, Wang Hsi-chih and Mi Fu. In landscape painting he studied the style of Huang Kung-wang. A collection of notes on the history and theory of painting entitled Hua Shuo has been attributed to him. Four clusters of peaks surround a sea of bright clouds and shadowy trees. A rapidly flowing stream tumbles out of the obscurity, its sound almost audible. Inside the thatched cottage, a figure reads at his desk, while another man strolls in the woods. The brush and ink are pure and refined, possessing an antique blandness. This is a rare example of literati painting. The artist’s poem, in the seven character line style, is also excellent.
- 地圖
引用資訊
本網站使用Cookies收集資料用於量化統計與分析，以進行服務品質之改善。請點選"接受"，若未做任何選擇，或將本視窗關閉，本站預設選擇拒絕。進一步Cookies資料之處理，請參閱本站之隱私權宣告。