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明陸治梨花寫生 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者陸治
- 色彩水墨
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@88.2x34.3
- 質地本幅@#@紙
- 題跋資料作者款識@#@陸治@#@本幅@#@草綠江南興已催。月團誰與試新裁。知君已著荊山屐。罨畫溪頭帶雨來。陸治作。@#@行書@#@@#@題籤@#@清高宗
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@御書房鑑藏寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶@#@@#@收傳印記@#@天籟閣@#@@#@收傳印記@#@檇李項氏士家寶玩@#@@#@收傳印記@#@墨林子@#@@#@收傳印記@#@子京氏印@#@@#@收傳印記@#@項墨林父祕笈之印
- 主題主要主題@#@花草@#@梨花
- 技法寫意
- 參考資料收藏著錄@#@石渠寶笈初編（御書房），下冊，頁1131 @#@@#@收藏著錄@#@故宮書畫錄（卷五），第三冊，頁420 @#@@#@收藏著錄@#@故宮書畫圖錄，第八冊，頁27-28@#@@#@參考書目@#@1.王耀庭、張華芝，〈明陸治梨花寫生〉，收入王耀庭、張華芝編，《明陸治作品展覽圖錄》（臺北：國立故宮博物院，1992年初版），頁78。 @#@@#@內容簡介（中文）@#@吳派畫家中，陸治種植花木的經驗相當豐富，依據好友王世貞（一五二六－一五九O）記載，陸治熱愛園藝，尤其喜歡種植菊花，在支硎山居園子裡有成百上千的花木。此幅水墨梨花可能是就地取景，枝幹用筆轉折有力，墨色濃、淡、燥、潤交互運用，將花朵盛開、半開、含苞的景象，以及俯仰向背的姿態，一一寫下，是山居生活觀察入微之作。@#@@#@內容簡介（中文）@#@ 陸治（西元一四九六－一五七六年），吳縣人。字叔平，號包山子。倜儻好義，以孝友稱。詩文書畫，並佳。從文衡山、祝枝山之門，畫名幾與衡山相垺。 水墨折枝梨花，盤曲繚繞而上。畫榦用筆老辣，亦極得勢。通幅自有一種雅澹之韻，分外宜人。 @#@@#@內容簡介（英文）@#@Lu Chih was a native of Soochow. His style name was Shu-p’ing; his sobriquet, Pao-shan-tzu. Free and easy of manner and noted for his integrity, Lu Chih was famous for his sense of friendship and filial piety. He excelled in poetry, prose, calligraphy and painting. A close friend of Chu Yun-ming and Wen Cheng-ming, his fame as an artist almost equaled that of Wen Cheng-ming. A branch of a blossoming pear tree zigzags upward, its stem executed in extremely forceful strokes. Lu Chih’s powerful ink monochrome rendering of the stalk successfully captures the plant’s growing energy. A subtle pale elegance pervades the entire work.@#@@#@內容簡介（英文）@#@Among Wu School painters, Lu Chih was quite gifted at growing plants and flowers. According to his friend Wang Shih-chen (1526-1590), Lu loved gardening and was especially fond of growing chrysanthemums. In the garden by his studio at Chih-hsing Mountain, Lu grew many kinds of plants, flowers, and trees. This painting of pear blossoms done in monochrome ink might represent a branch from a tree there. The brush twists back and forth to reflect the tortuous bends in the branch as a combination of light and dark as well as scorched and wet ink have been used. The blossoms appear either in full blooms, half-opened, or as buds. The detailed observation here reveals Lu’s skill as a painter and reflection upon his life of reclusion.
- 地圖
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