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明呂紀畫鴛鴦 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者呂紀
- 色彩設色
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@107.4x54.5
- 質地本幅@#@紙
- 題跋資料作者款識@#@呂紀@#@本幅@#@錦衣指揮呂紀畫@#@行書
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@石渠定鑑@#@@#@鑑藏寶璽@#@寶笈重編@#@@#@鑑藏寶璽@#@寧壽宮續入石渠寶笈@#@@#@鑑藏寶璽@#@樂壽堂鑑藏寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶@#@@#@鑑藏寶璽@#@宣統鑑賞@#@@#@鑑藏寶璽@#@無逸齋精鑒璽
- 主題主要主題@#@翎毛@#@鴛鴦@#@@#@其他主題@#@花草@#@蘆葦@#@@#@其他主題@#@水中動植物@#@荇藻@#@浮萍@#@@#@其他主題@#@山水@#@溪澗、湍泉@#@湍泉@#@@#@其他主題@#@山水@#@江河、湖海@#@江河@#@@#@其他主題@#@花草@#@落花
- 技法工筆@#@@#@皴法@#@斧劈皴
- 參考資料收藏著錄@#@石渠寶笈續編（寧壽宮），第五冊，頁2801@#@@#@收藏著錄@#@故宮書畫錄（卷五），第三冊，頁335@#@@#@收藏著錄@#@故宮書畫圖錄，第七冊，頁191-192@#@@#@內容簡介（中文）@#@ 呂紀（活動於西元一四七七－一四九七年間），浙江鄞縣人。字廷振，號樂愚，一作樂漁。花鳥初學邊文進，後摹唐宋諸名家筆，始臻其妙。弘治（西元一四八八－一五○五年）間被徵值仁智殿，為錦衣衛指揮使。 畫的是浮萍落花。石岸上棲雙鴛：一打盹，一看守著。筆墨老辣而不放肆，惟較呂氏一般的筆法強調提頓。至於佈景看來似很隨意，但實在是用心思經營過的。 @#@@#@內容簡介（英文）@#@Mandarin Ducks Lu Chi (fl. ca. 1477-1497) Ming Dynasty Lu Chi, style name T’ing-chen sobriquet Yao-yu, was a native of Yin County, Chekiang. In the genre of flower and bird painting, Lu initially studied the works of the early Ming dynasty painter, Pien Wen-chin. He later emulated the works of the T’ang (618-907) and the Sung (960-1279) masters. He eventually became one of the greatest painters of birds and flowers of the Ming dynasty. During the Hung-chih era (1488-1505), he was summoned to serve in the Hall of Benevolent Wisdom (Jen-chih Tien) in the imperial court. Lu served as a commander in the Imperial Bodyguard, a military unit that also provided sinecures for court painters. Duckweed and fallen flowers float in the water. On the rocky bank two mandarin ducks are perched, one dozing while the other keeps watch. The brushwork is firm and orderly. However, compared to Lu Chi’s usual brushwork, the various endings of strokes are over-emphasized in this painting. Although the scenery appears to have been drawn casually, it is actually very thoughtfully handled.
- 地圖
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