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明王紱古木竹石 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者王紱
- 色彩水墨
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@127.4x44.3
- 質地本幅@#@紙
- 題跋資料作者款識@#@王紱@#@本幅@#@九龍山人王孟端寫。@#@行楷書@#@@#@題跋@#@王汝玉@#@本幅@#@青城山人王汝玉@#@行書@#@槎牙古木風霜久。瀟灑幽篁雨露深。珍重前人模寫就。孤高正合此君心。青城山人王汝玉。@#@@#@題跋@#@王達善@#@本幅@#@梁溪王達善@#@行楷書@#@古木崢嶸似老蛟。幽篁濯濯長新梢。一拳怪石能相倚。誰識空山冷澹交。梁溪王達善。@#@@#@題跋@#@梁時@#@本幅@#@用行@#@行書@#@幽篁古木倚雲根。露浥苔滋尚有痕。幾度相看吟未盡。一庭煙雨又黃昏。用行。
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@御書房鑑藏寶@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶
- 主題主要主題@#@樹木@#@寒林．枯樹@#@枯樹@#@@#@主要主題@#@樹木@#@竹@#@@#@次要主題@#@山水@#@奇石
- 技法寫意@#@@#@皴法
- 參考資料收藏著錄@#@石渠寶笈初編（御書房），下冊，頁1141@#@@#@收藏著錄@#@故宮書畫錄（卷五），第三冊，頁285@#@@#@收藏著錄@#@故宮書畫圖錄，第六冊，頁39-40@#@@#@內容簡介（中文）@#@王紱（西元一三六二至一四一六年），無錫人，字孟端，後以字行，號友石，又號九龍山人，青城山人。永樂間，以墨竹名天下，兼善山水。 古木竹石，為山水家酬應之作，明以後常有此題。本幅用筆極為老辣，古木一枝，筆法已開沈周法門。竹秀而渾，石樸而妍，雖著筆無多，而自挺然傑出。 @#@@#@內容簡介（英文）@#@Wang Fu was a native of Wu-hsi, Kiangsu. His tzu (style name) was Meng-tuan; his hao (sobriquets) were Yu-shih, Chiu-lung-shan-jen, and Ch'ing-ch'eng-shan-jen. During the Yung -lo period (1403-1424) Wang Fu was famed for his paintings of ink bamboo. He also excelled in painting landscapes. A painting combining an old tree with a rock or two and bamboos was a favorite gift presented by a landscape painter on social occasions. After the Ming Dynasty (1368-1644), this practice became quite prevalent. Wang Fu's brushwork in this painting is highly skilled. The brush technique used to depict this ancient tree was inspiration for Shen Chou's (1427-1509) unique style. The bamboos are elegantly executed and the weathered rock is fantastically shaped. Wang Fu painted with economy of brushwork, yet created a tranquility beyond this clamorous mundane world.
- 地圖
引用資訊
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