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元陶復初畫秋林小隱 軸
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- 作者陶復初
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- 典藏尺寸本幅@#@70x28.7
- 質地本幅@#@紙
- 題跋資料作者款識@#@陶復初@#@本幅@#@讀易居士寫秋林小隱@#@行楷書@#@@#@題跋@#@清高宗@#@本幅@#@乙亥（西元一七五五年）春。御題。@#@行書@#@境堪遯世真無悶。泉可濯纓信樂飢。誰識幽人神解處。小山叢桂正芳時。乙亥（西元一七五五年）春。御題。
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@石渠定鑑@#@@#@鑑藏寶璽@#@寶笈重編@#@@#@鑑藏寶璽@#@寧壽宮續入石渠寶笈@#@@#@鑑藏寶璽@#@樂壽堂鑑藏寶@#@@#@鑑藏寶璽@#@古希天子@#@@#@鑑藏寶璽@#@宣統御覽之寶@#@@#@鑑藏寶璽@#@宣統鑑賞@#@@#@鑑藏寶璽@#@無逸齋精鑑璽@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@收傳印記@#@項德新印
- 主題主要主題@#@山水@#@秋景@#@@#@次要主題@#@人物@#@高士（士人、隱士）@#@高士@#@@#@其他主題@#@建築@#@水榭@#@@#@其他主題@#@建築@#@茅草屋@#@@#@其他主題@#@山水@#@溪澗、湍泉@#@@#@其他主題@#@山水@#@瀑布@#@@#@其他主題@#@樹木
- 技法寫意@#@@#@皴法@#@披麻皴@#@@#@皴法@#@雨點皴@#@@#@苔點
- 參考資料收藏著錄@#@石渠寶笈續編（寧壽宮），第五冊，頁2769@#@@#@收藏著錄@#@故宮書畫錄（卷五），第三冊，頁235@#@@#@收藏著錄@#@故宮書畫圖錄，第五冊，頁69@#@@#@參考書目@#@1.傅申，盧素芬譯，〈傳陶復初畫〈秋林小隱〉應是明項德新所作 — 故宮藏畫鑑別研究之二〉，《故宮文物月刊》，第316期（2009年7月），頁70-82。 @#@@#@內容簡介（中文）@#@陶復初，元初天台人。字明本，號介軒。書工篆隸，墨竹師李息齋父子，著色竹甚佳，亦能山水。 陶復初以畫竹名家，而傳世之作甚少。此幀所畫澗濱巖隙，架水茅齋，雜樹連雲，背山環抱。筆墨極為秀逸，屋宇尚有宋人餘韻。澗水縈洄，波紋激盪。筆墨甚精，惟壓頂一峰，皴筆襍沓，微覺細碎。@#@@#@內容簡介（英文）@#@T'ao Fu-ch'u was a native of T'ien-tai, Chekiang. His style name was Ming-pen; his sobriquet Chieh-hsuan. T'ao Fu-ch'u was noted for his calligraphy in seal and clerical scripts. In painting ink bamboo, he followed the style of Li K'an (1245-1320) and Li Shih-hsing (1282-l328). His coloured bamboos are also excellent; his landscapes noteworthy as well. Although T'ao Fu-ch'u first gained fame for his bamboo paintings, few of these remain. This painting depicts a landscape of streams and gorges, a thatched cottage spanning the water, copse and trailing clouds, with a curving range of mountains behind. The artist's use of brush and ink is refined and free; his house inheriting a Sung flavor, his water whirling in eddies, their ripples in agitation. Only, the creases of the towering peak are confused and too varied so that there is a slight feeling of incoherence.
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