收藏著錄@#@石渠寶笈初編(御書房),下冊,頁1114
@#@@#@收藏著錄@#@故宮書畫錄(卷五),第三冊,頁227-228
@#@@#@收藏著錄@#@故宮書畫圖錄,第四冊,頁319-320@#@@#@參考書目@#@1.蔣復璁,〈倪瓚畫竹〉,收入國立故宮博物院編,《元四大家》(臺北:國立故宮博物院,1975年初版,1976年二版,1984年三版),頁57。
@#@@#@內容簡介(中文)@#@倪瓚(西元一三0一至一三七四年),字元鎮,號雲林,迂翁。家富饒,築清閟閣,蓄古書畫。善山水。 竹一枝,蕭蕭數筆,清淡而娟美。款與王蒙具區林屋同,皆為日章畫。日章不知何許人,此幅題云:「沈君雅有臨池興。」或日章姓沈云。@#@@#@內容簡介(英文)@#@Ni Tsan's style-name was Yuan-chen and his sobriquets Yun-lin and Yu-weng. Coming from a wealthy family, he built a studio called the ch'ing-pi-ko, "the hall of inviolate purity," in which he collected ancient books and paintings. He was himself good at painting landscapes. In this work one spray of bamboo is painted with a few casually simple strokes. It is unassuming yet full of graceful beauty. As with the painting "Forests Dwellings at Chu-ch'u" by Ni's contemporaty Wang Meng and also in this museum, this is dedicated to a certain Jih-chang, whose identity is unknown. The inscription on this work also refers to a "Mr. Shen,"who took great delight in calligraphy; perhaps this is the same man as Jih-chang.