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宋人觀梅圖 軸
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- 原始資料連結
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- 典藏尺寸本幅@#@109.6x53.6
- 質地本幅@#@絹
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@養心殿鑑藏寶@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶@#@@#@收傳印記@#@宣和@#@@#@收傳印記@#@（雙龍圓璽）@#@@#@收傳印記@#@真賞@#@@#@收傳印記@#@琴書堂@#@@#@收傳印記@#@都尉耿信公書畫之章@#@@#@收傳印記@#@公@#@@#@收傳印記@#@信公珍賞@#@@#@收傳印記@#@丹誠@#@@#@收傳印記@#@珍秘@#@@#@收傳印記@#@宜爾子孫@#@@#@收傳印記@#@阿爾喜普之印@#@@#@收傳印記@#@東平@#@@#@收傳印記@#@御賜忠孝堂長白山索氏珍藏@#@@#@收傳印記@#@（一印存一角。不辨。）
- 主題主要主題@#@山水@#@冬景（雪景）@#@雪景@#@@#@次要主題@#@人物@#@高士（士人、隱士）@#@@#@其他主題@#@人物@#@侍從（侍女、童僕）@#@@#@其他主題@#@建築@#@房舍@#@@#@其他主題@#@建築@#@欄杆@#@@#@其他主題@#@器用@#@飲食器@#@盤、碗@#@@#@其他主題@#@器用@#@傢俱（屏風）@#@桌、簾布@#@@#@其他主題@#@花草@#@梅（白．紅．蠟梅）@#@梅@#@@#@其他主題@#@樹木@#@松@#@@#@其他主題@#@樹木@#@寒林．枯樹@#@枯枝@#@@#@其他主題@#@樹木@#@竹
- 技法寫意@#@@#@界畫@#@@#@人物衣紋描法(勻稱線條)@#@@#@苔點
- 參考資料收藏著錄@#@石渠寶笈初編（養心殿），上冊，頁669@#@@#@收藏著錄@#@故宮書畫錄（卷五），第三冊，頁142-143@#@@#@收藏著錄@#@故宮書畫圖錄，第三冊，頁89-90@#@@#@內容簡介（中文）@#@山石中，微露屋簷的一角，一位士人依憑著欄杆，觀賞雪中寒梅。屋後有一樹彎曲而高聳入雲，大體似松柏，樹枝左右分張，以拖筆畫成，梅也運用拖枝法寫成。 從畫中筆法的使用，及畫幅重心偏置一角的構圖，可推想是出自馬遠一派的畫家作品。@#@@#@內容簡介（英文）@#@ The painting depicts a corner of a mountain pavilion covered with snow. A lofty scholar leans on the railing viewing spring’s earliest plum blossoms peeking from around the corner of the roof. A tall pine works its way into the open air like a bent iron rod. This method of rendering pine trees resembles the style of Ma Yuan. Both near and distant mountains are modeled by toned wasnes which suggest the vast distances of a landscape. An effective background is provided by the vermillion clouds. A cold wind seems to sweep over the landscape filling the air with an icy chill. @#@@#@網頁展示說明@#@這幅立軸沒有作者名款，目前歸屬為宋人的作品。作者將主體安頓在畫面的邊角，相對地增加了畫面空白的比例。畫中人物戴著風帽，令人感受到寒冬的氣息，而留白的效果，進一步加深了冰封大地的感覺。為了平衡構圖虛實，作者著意拉長枝幹，向遼闊的空間伸展，不但突顯枝幹轉折交錯的結構美感，同時暗示一股潛在的精神力量，不畏風雪，足以頂天立地亙古長存。@#@@#@網頁展示說明@#@This hanging scroll bears neither seal nor signature of the artist but is presently ascribed as an anonymous work of the Sung dynasty. The artist here placed the main part of the composition in the lower corner, thereby giving that area weight and proportionately increasing the “empty” portion of the work. The figure shown here wears a cowl-like cap against the wind, suggesting the coldness of winter. The area of silk left blank suggests an icy feeling that further adds to the coldness of the land. To balance the solid and void in the composition, the artist also consciously lengthened the trunk and branches, extending them into the open space. Not only does it give prominence to the aesthetic curving and crossing of the branches and trunks, it also suggests an implicit spiritual force that defies the cold, seemingly engulfing the earth and the heavens for all eternity.
- 地圖
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