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宋徽宗紅蓼白鵝圖 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者趙佶,Emperor Huizong
- 色彩設色
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@132.9x86.3
- 質地本幅@#@絹
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@養心殿鑑藏寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶@#@@#@收傳印記@#@宣和殿寶@#@@#@收傳印記@#@真賞@#@@#@收傳印記@#@琴書堂@#@@#@收傳印記@#@都尉耿信公書畫之章@#@@#@收傳印記@#@公@#@@#@收傳印記@#@信公珍賞@#@@#@收傳印記@#@丹誠@#@@#@收傳印記@#@珍秘@#@@#@收傳印記@#@宜爾子孫@#@@#@收傳印記@#@耿會侯鑑定書畫之章
- 主題主要主題@#@翎毛@#@鵝@#@@#@主要主題@#@花草@#@紅蓼@#@@#@其他主題@#@山水@#@江河、湖海
- 技法工筆@#@@#@雙鉤
- 參考資料收藏著錄@#@石渠寶笈初編（養心殿），上冊，頁658@#@@#@收藏著錄@#@故宮書畫錄（卷五），第三冊，頁65-66@#@@#@收藏著錄@#@故宮書畫圖錄，第一冊，頁299-300@#@@#@內容簡介（中文）@#@宋徽宗(1082-1135)，姓趙名佶。性好書畫，秉賦極高，山水、花鳥、人物，莫不工。筆墨挺秀，雅韻宜人，書稱瘦金體，筆勢勁逸。紅蓼一枝，離坡高起，畫葉正反翻折得勢。白鵝蹲伏淺渚之上，回首理翎，目光凝然似欲睡。用粉鉤翎，筆意精工之甚。水邊作細卵石無數，群色爛然，秋風野水，觀之恍然使人如在澄波古岸邊也。本幅構圖與院藏宋人秋塘雙雁極似，應屬後人傳摹之作。@#@@#@內容簡介（英文）@#@Emperor Hui-tsung's personal name was Chao Chi. He was a graet patron of the arts, an excellent essayist, and a calligrapher of rank. He also excelled at painting landscapes, birds, flowers, and figures. The style of his calligraphy is called "slender gold" and has an uninhibited, tensile strength. A flowering polygonum plant springs up from a sloping bank. Beneath its branches a white goose stands, nuzzling and preening as if ready for a nap. The plant has been rendered with curling leaves in varying positions, and its branches have been arranged into graceful sprays. Lead white has been used to outline the plumage of the smooth egg-shaped stones at the edge of the water. The glowing colors have been chosen to create the effect of an autumn wilderness. Such a scene makes the viewer feel somewhat dazed, as if he were actually standing on the banks of a stream in ancient days. This painting along with A pair of wild Geese By an Autumn Pond attributed to a Sung dynasty artist also in the museum's collection, however, is a copy by a later artist.
- 地圖
引用資訊
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