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宋崔白蘆汀宿雁 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者崔白
- 色彩設色
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@106.5x51
- 質地本幅@#@絹
- 印記資料收傳印記@#@式古堂書畫印@#@@#@收傳印記@#@令之氏一字仙客@#@@#@收傳印記@#@御題圖書府@#@@#@收傳印記@#@□氏廷璧@#@@#@收傳印記@#@（鈐印一不可辨）
- 主題主要主題@#@翎毛@#@雁@#@@#@次要主題@#@花草@#@蘆葦@#@@#@其他主題@#@山水@#@江河、湖海@#@@#@其他主題@#@花草
- 技法雙鉤@#@@#@工筆
- 參考資料收藏著錄@#@故宮書畫錄（卷五），第三冊，頁59@#@@#@收藏著錄@#@故宮書畫圖錄，第一冊，頁255-256@#@@#@內容簡介（中文）@#@崔白(西元十一世紀)，濠梁(今安徽鳳陽)人，字子西，仁宗時(1022-1063)選入畫院為藝學，工畫花竹翎毛。根據記載，崔白以擅畫枯荷鳧雁而得名，故後人常將此類題材之作品歸於其名下，本幅即是一例。構圖用筆均簡潔的坡岸、蘆雁，與崔白寫實的筆墨風格不相類，卻有著元代古拙樸質的感覺。@#@@#@內容簡介（英文）@#@Ts’ui Po, (style name Tzu-hsi) was a native of Hao-liang ( modern Feng-yang, Anhwei). He entered the painting academy during the reign of Jen-tsung(r.1022-1063) as a Student and specialized in painting birds, small animals, flowers, and bamboo. According to history descriptions, Ts’ui Po became famous for his depictions of withered lotuses and waterfowl. As a result, later collectors would often ascribe works of this subject matter to his name. This painting is such an example. However, the abbreviated nature of the composition and brushwork describing this goose resting on a shoal with reeds differs somewhat from the actual style associated with Ts’ui Po. This painting is related to the archaic and primitive styles advocated in the Yuan dynasty (1279-1368).
- 地圖
引用資訊
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