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宋崔白蘆花羲愛 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者崔白
- 色彩設色
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@141.2x86.3
- 質地本幅@#@絹
- 印記資料鑑藏寶璽@#@宣統御覽之寶
- 主題主要主題@#@山水@#@秋景@#@@#@主要主題@#@翎毛@#@鵝@#@@#@其他主題@#@花草@#@蘆葦@#@@#@其他主題@#@花草
- 技法工筆@#@@#@皴法@#@@#@雙鉤
- 參考資料收藏著錄@#@故宮書畫錄（卷五），第三冊，頁58-59@#@@#@收藏著錄@#@故宮書畫圖錄，第一冊，頁253-254@#@@#@內容簡介（中文）@#@崔白(西元十一世紀)，安徽濠梁人，字子西，工畫花竹翎毛，以畫枯荷鳧雁得名，但也精於道釋、人物、鬼神。據說他作畫不起稿，畫長絃挺刃，不用直尺界筆。宋神宗熙寧初(約西元1068年)受命與艾宣、丁貺、葛守昌等人畫垂拱殿屏風，頗受讚賞，補為圖畫院藝學。此圖繪蘆岸間，一鵝昂首獨立。蘆葉經霜，殘綠猶存。鵝身描繪精細，羽毛纖毫畢顯，極為寫實。本幅舊傳為崔白所作。@#@@#@內容簡介（英文）@#@Ts’ui Po, whose style name was Tzu-hsi,was a native of Hao-liang, Anhwei. He was a skilled painter of birds and flowers, acquiring fame for his portrayals of withered lotus plants and water fowl in particular. Ts’ui Po is said to have worked without a ruler or compass and to have painted directly, without preliminary drafts--remarkable comments in consideration of the exacting, realistic style associated with his name. Circa 1068, Ts’ui Po was one of a number of painters who received imperial commissions from Emperor Shen-tsung, and, following his successes in this endeavor, he was appointed as a student in the Painting Academy. A lone goose raises its head among water reeds. The leaves have been bitten by frost, though some green remains.The goose is painted with extreme detail, a fine brush delineating his feather. The painting, although a traditional attriution to Ts’ui Po, is an excellent example of realistic depiction.
- 地圖
引用資訊
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